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Richard Kennedy. “HIR,” 2018. Recorded excerpts from Acts 2&3, CD-player.
Setup. Exhibition view.
Robert Keil. “Untitled,” 2018. iPhone 7(G.), iPhone 5(J.), iPhone 6(J.), iPhone 5S(R.), iPhone 5(R.G.), custom software, cables, wire, and USB hub. (left); “small side of all I,” 2018. PVC, horse manure, water, and methane gas. (foreground); “small side of all II,” 2018. PVC, potato peels, water, and methane gas. (background); “Große Rose”, 2018. Dyed wax. (right).
Robert Keil. “Große Rose” (detail), 2018. Dyed wax.
Setup. Exhibition view.
Colt Hausman. “Graduate school studio 1,” 2018. Oil on canvas. (left); “Graduate school studio 2,” 2018. Acrylic and oil on canvas. (right).
Colt Hausman. “Graduate school studio 3,” 2018. Oil on canvas.
Charlotte Bonjour. “Printed Paper (orange),” 2018. Wheat-pasted posters column and take away posters.
Ragnhild May. “Hot Cross Buns,” 2018. Watercolor on paper. (right); “Playground,” 2018. Installation (background): “School Harmony,” 2018. Composition for recorders of different sizes; “Music for Children,” 2018. Wood;; “Platform,” 2018. Ceramics; “Wannabe,” 2018. Video (right).
Ragnhild May. “Hot cross buns,” 2018. Watercolor on paper.
Setup. Exhibition view.
Charlotte Bonjour. “Flipping Striations,” 2018. Inkjet print on enhanced matt paper, glass, PE, and screws. Photo by Charlotte Bonjour.
John-Elio Reitman. “Untitled,” 2018. Wood, plastic, hardware, streetlight. (left); “Cloud,” 2018. Zinc, copper, brass, silver solder. (right). Photo by Jon-Elio Reitman.
John-Elio Reitman. “Conductor (Electrolyte),” 2018. Copper zinc, brass, silver solder, and patina. (left); “Conductor (Langue),” 2018. Copper zinc, brass, silver solder, and patina. (right).
John Elio-Reitman. “Conductor (Electrolyte)” (detail), 2018. Copper zinc, brass, silver solder, and patina. Photo by John-Elio Reitman.
Setup. Exhibition view.
Marina Xenofontos. “free-market orthodoxy,” 2018. Chameleon paint, muslin cloth, resin, metal, and bolts. (left); “Syllogism,” 2018. Viscose knit, aluminum, concrete (with custom scarf pants designed by Orestis Lazouras for Neo Toum (Neoterismoi Toumazou)). (right).
Marina Xenofontos. “Sunlight Vandalism,” 2018. Single-channel video, 3:17 min.
Anne Cousineau. “Untitled,” 2018. Gelatin, ink, food coloring, ceramic, rust, and tempera.
Anne Cousineau. “Untitled” (detail), 2018.
Ranee Henderson. “Untitled,” 2018. Wall and weapons. (foreground); “I couldn’t tell you what’s what,” 2018. Oil on canvas. (background).
Ranee Henderson. “Gravity showing you your feet again,” 2018. Oil on canvas. (left); “It lit a fire under my crotch,” 2018. Oil on canvas. (center); “Dummy, can’t you see me? I’m wearing one now,” 2018. Oil on canvas. (right).
Rin Johnson. Installation view.
Rin Johnson. “I looked like who done it and what for,” 2018. Vaseline, rawhide, and seed pod.
Setup. Exhibition view.
Wei Leng Tay. “you think it over slowly, slowly choose…,” 2018. Inkjet on tissue. (foreground); “Untitled,” 2018. Two-channel video projection, Four-channel audio, 13 min. (background).
Wei Leng Tay. “you think it over slowly, slowly choose…” (detail), 2018. Inkjet on tissue.
Violet Dennison. “Dance Dance Revolution,” 2018. Two-channel video projection, looped, with four audio works (“Stoic (Extreme Version),” “A little bit of ecstasy,” “Genome Screams,” and “Hypnotic Crisis,” all 2018) composed from Dance Dance Revolution gaming charts and translated into sine waves coordinated to a four-channel speaker system, looped. Sound consultant: Geneva Skeen.
Violet Dennison. “Dance Dance Revolution,” 2018. Two-channel video projection, looped, with four audio works (“Stoic (Extreme Version),” “A little bit of ecstasy,” “Genome Screams,” and “Hypnotic Crisis,” all 2018) composed from Dance Dance Revolution gaming charts and translated into sine waves coordinated to a four-channel speaker system, looped. Sound consultant: Geneva Skeen.
Madeline Hollander. “Flatwings,” 2018. 4K infrared footage, field recordings, and original track by Celia Hollander, 16:30 min.
Madeline Hollander. “Flatwings,” 2018. 4K infrared footage, field recordings, and original track by Celia Hollander, 16:30 min.
Qais Assali. “(if you Like you can show my works in galleries),” 2018. Mixed media installation and lecture performance.
Qais Assali. “(if you Like my work you can show in galleries),” 2018. Mixed media installation and lecture performance.
Alisha Wormsley. “Journey to Drexciya,” 2018. Installation, excerpt from the film and archive “Children of NAN”; “Cosmic Meditation,” 2018. Video, 6:21 min; “Drexciya,” 2018. Video, 5:00 min, with fabric, pillows, herbs, black tourmaline, candles, shells, cards.
Sarah Reiter. “An interest in birds and other martyrs of the coal fields,” 2018.
Tyler Wilcox. “Pipe organ resting,” 2018. Pipe organ, chapel, microphones, media player, home stereo systems.
Jon Wang. S H U Í,” 2018. Video installation. Photo by Jon Wang.
Jon Wang.S H U Í,” 2018. Video installation. Photo by Jon Wang
Alan Segal.Key, washer, coin,” 2018. Video loop.
Alan Segal.Key, washer, coin,” 2018. Video loop.
Nadia Botello.Yanaguana Frictions,” 2018. Bexar limestone, recycled glass sourced from river, transducers, amps, power cables, bi-directional speaker pair, tweeter, speaker wire, barbed wire, dirt, sound (eight-channel, unsynced, lengths variable) (hydrophone recordings, breath edit, Tibicen texanus), video loop (digital transfer of 16mm reel submerged and developed in river), 10:42 min.
Nadia Botello.Yanaguana Frictions,” 2018. Bexar limestone, recycled glass sourced from river, transducers, amps, power cables, bi-directional speaker pair, tweeter, speaker wire, barbed wire, dirt, sound (eight-channel, unsynced, lengths variable) (hydrophone recordings, breath edit, Tibicen texanus), video loop (digital transfer of 16mm reel submerged and developed in river), 10:42 min.
Matt Wapples. “Objects may be closer than they appear,” 2018. Mixed media installation with cushions, acrylic, pine, and silver gelatin prints.
Matt Wapples. “Objects may be closer than they appear,” 2018. Mixed media installation with cushions, acrylic, pine, and silver gelatin prints.
Austin White. “study (after Albert Eckhout),” 2018. Nylon screen mesh, latex/silicone rubber, and acrylic (left); “discovery (after Agostino Brunias),” 2018. Nylon screen mesh, latex/silicone rubber, and acrylic (right).
Austin White. “no talking in the uber pool (sedan painting 3),” 2018. Nylon screen mesh, latex/silicone rubber, and acrylic.
Onur Gökmen. “Pebbles were necessary to burnish,” 2018. Mixed media installation.
Lu Yim. “Passing Flowers,” 2018. Video storyboard on monitor.
Lu Yim. “Passing Flowers,” 2018. Video storyboard on monitor.
Richard Kennedy. Performance, 2018.
Richard Kennedy. Performance, 2018.
Stefan Maier & Ragnhild May. Performance, 2018.
Sarah Reiter. Reading, 2018.
Lu Yim. Performance, 2018.
Richard Kennedy. “HIR,” 2018. Recorded excerpts from Acts 2&3, CD-player.