February 8, 2023 • Sediment: The Archive as Fragmentary Base • Leonard & Bina Ellen Art Gallery at Concordia University
February 8, 2023 • Spring 2023 Audain Visual Artist in Residence: Kota Ezawa • School for the Contemporary Arts at Simon Fraser University
February 6, 2023 • Ben TongTo See Is To Forget The Name Of The Thing You See • University of California, Santa Barbara
February 6, 2023 • Autumn KnightNothing #26: The Potential of Nothing is Everything (wallach) • Miriam and Ira D. Wallach Art Gallery at Columbia University
February 3, 2023 • Tahir HemphillRap Research Lab • Center for Art, Design and Visual Culture at University of Maryland Baltimore County (UMBC)
February 2, 2023 • Artists Development Programme on “Disruption: The Imprint of Man” • European Investment Bank Institute
February 1, 2023 • Letter in support of Vkhutemas: Laboratory of the Avant-garde, 1920–1930 at the Cooper Union • Art & Education
January 31, 2023 • Master and postgraduate programmes • Royal Academy of Fine Arts (KASK), School of Arts of University College Ghent
January 31, 2023 • Researcher/Managing Editor for L’Internationale Online • HDK-Valand Academy of Art and Design at University of Gothenburg
January 30, 2023 • Ceci Moss: Director and Chief Curator of the Mandeville Art Gallery • University of California, San Diego
January 27, 2023 • At the Source: A Courbet Landscape Rediscovered • Arthur Ross Gallery at the University of Pennsylvania
January 27, 2023 • Office Hours: Catherine Quan Damman: Institute of Fine Arts at New York University • Art & Education
January 20, 2023 • Art Department launches Image Text MFA • Cornell University College of Architecture, Art, and Planning (AAP)
January 19, 2023 • Leaky Archive Digital Fellowships • Rautenstrauch-Joest-Museum, Academy of Media Arts Cologne (KHM)
January 18, 2023 • To Transform: spring 2023 public programs and engagement • Columbia University School of the Arts
January 18, 2023 • Spring public lecture series • Sam Fox School of Design & Visual Arts at Washington University in St. Louis
January 17, 2023 • David Driskell Fellow Erin Falker-Obichigha • Institute for Doctoral Studies in the Visual Arts (IDSVA)
January 17, 2023 • Call for applications: MFA programmes • The Royal Danish Academy of Fine Arts, Schools of Visual Arts
January 16, 2023 • Scholarship applications for spring/summer 2023 • The New Centre for Research & Practice
January 12, 2023 • The Heart’s Knowledge: Science and Empathy in the Art of Dario Robleto • Block Museum of Art at Northwestern University
January 12, 2023 • Assistant Professor of Art, affiliated with African American Studies • University of California, Irvine
January 12, 2023 • MA programmes in Painting, MADtech, iRAP and MaDAM • Minerva Art Academy at Hanze University of Applied Sciences
January 11, 2023 • MA & MFA in Emergent Digital Practices • Emergent Digital Practices at the University of Denver
January 10, 2023 • MA Performing Public Space, Architecture, Urbanism and Music • Fontys School of Fine and Performing Arts
January 9, 2023 • Courses, Workshops and Intensives at the Division of Continuing Education • School of Visual Arts (SVA)