September 30, 2022 • Passing Through: Artists from DoVA 2012–2021 • University of Chicago Arts

September 30, 2022 • Seeking Director • EINA University School of Design and Art of Barcelona

September 30, 2022 • Field Notes: Jamila Moroder on LE 18, Documenta 15 • Art & Education

September 29, 2022 • Seeking Head of Fiber Department & artist-in-residence (faculty) • Cranbrook Academy of Art

September 29, 2022 • Stan Douglas: Annual Stonecroft Foundation Visiting Artist Lecture • University of Ottawa

September 29, 2022 • MFA in Environmental Art and Social Practice • University of California, Santa Cruz

September 28, 2022 • PhD in Visual Arts: Philosophy, Aesthetics, and Art Theory • Institute for Doctoral Studies in the Visual Arts (IDSVA)

September 28, 2022 • Welcome new faculty to the 2022/23 academic year • Columbia University School of the Arts

September 28, 2022 • Online courses on contemporary curating • Zurich University of the Arts (ZHdK)

September 27, 2022 • Lecturer in (New) Documentary Photography, BA Camera Arts • Lucerne University of Applied Sciences and Arts, School of Art and Design

September 27, 2022 • Fall 2022 exhibitions • Savannah College of Art and Design (SCAD)

September 27, 2022 • Two faculty appointments and three faculty searches • University of Washington School of Art + Art History + Design

September 26, 2022 • Workshop: Archive, Non-Archive, Counter-Archive • University of Potsdam

September 26, 2022 • New Mitchell Gallery Director • Mitchell Gallery at St. John’s College

September 26, 2022 • Field Notes: Inji Kim on Nguyễn Trinh Thi and ikkibawiKrrr, Documenta 15 • Art & Education

September 23, 2022 • Collegiate Assistant Professor of Visual Arts • University of Chicago

September 23, 2022 • Field Notes: Alaina Claire Feldman on Nhà Sàn Collective, Documenta 15 • Art & Education

September 22, 2022 • Online conversation series • Cranbrook Academy of Art

September 22, 2022 • "Landscape is Destiny" virtual talk from Chef Nephi Craig • Institute for Doctoral Studies in the Visual Arts (IDSVA)

September 22, 2022 • MA in Art History • Hunter College

September 21, 2022 • Visiting Speaker Series at the School of Art • Kathrine G. McGovern College of the Arts at the University of Houston

September 21, 2022 • Renee Gladman
THE DREAMS OF SENTENCES
Nick Raffel
airfoil • Ezra and Cecile Zilkha Gallery at Wesleyan University

September 21, 2022 • Advanced Assistant or Associate Professor of Art (Painting) • Wake Forest University

September 21, 2022 • Conference: The Politics and Aesthetics of Migration • Columbia University

September 20, 2022 • Q&A with MFA candidate Kait Gallaugher • Maine College of Art & Design

September 20, 2022 • Open call for The Starr Fellowship • Royal Academy of Arts, London

September 20, 2022 • Social Fabric: Art and Activism in Contemporary Brazil • Visual Arts Center at The University of Texas at Austin

September 20, 2022 • Symposium: “Zukunftsmusik—What the future might sound like” • TU Dresden

September 19, 2022 • Climate: Our Right to Breathe • L'Internationale Online

September 19, 2022 • Commissioning and Curating Contemporary Public Art • HDK-Valand Academy of Art and Design at University of Gothenburg

September 19, 2022 • Political/Subjective Maps: Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa • Institute for Studies on Latin American Art (ISLAA)

September 19, 2022 • Field Notes: Ashley Allen on Ilona Németh, OFF-Biennale Budapest, “Floating Gardens,” Documenta 15 • Art & Education

September 16, 2022 • Joshua Lubin-Levy appointed Director of the Center for the Arts • Center for the Arts at Wesleyan University

September 16, 2022 • MA Choreography (maC) 2023–24 • Inter-University Center for Dance Berlin (HZT)

September 16, 2022 • Guest scholars Sara Garzón and Catarina Duncan • LA ESCUELA___

September 16, 2022 • NEXT GENERATION 2022 • FHNW Academy of Art and Design

September 15, 2022 • Fall 2022 Audain Visual Artist in Residence: Irena Haiduk • School for the Contemporary Arts at Simon Fraser University

September 15, 2022 • Friedl Dicker-Brandeis. Workshops for Visual Arts • University of Applied Arts Vienna

September 15, 2022 • Assistant Teaching Professor: Graphic and Visual Communication Design • University of California, San Diego

September 15, 2022 • 9th edition of Independent Studies Programme (PEI) • MACBA Museu d’Art Contemporani de Barcelona

September 15, 2022 • Walter Hood: 2022–23 Bill and Stephanie Sick Distinguished Visiting Professor • School of the Art Institute of Chicago

September 14, 2022 • Braunschweig Projects: scholarships for emerging artists • Braunschweig University of Art (HBK Braunschweig)

September 14, 2022 • African Photography: The Ethics of Looking and Collecting in the Age of Restitution • Columbia University, University of Virginia

September 14, 2022 • Fall art updates • Cornell University College of Architecture, Art, and Planning (AAP)

September 14, 2022 • Tenure-track position in Printmaking and Painting • Hunter College

September 13, 2022 • 2022 Cornell Biennial invitational commissions • Cornell Council for the Arts

September 13, 2022 • Book signing with Dara Birnbaum • Miller ICA at Carnegie Mellon University

September 13, 2022 • Field Notes: Mehmet Berkay Sulek on the inclusion of children, Documenta 15 • Art & Education

September 13, 2022 • New curating short courses • Royal College of Art

September 12, 2022 • Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions • Mildred Lane Kemper Art Museum at Washington University in St. Louis

September 12, 2022 • Christina Fernandez: Multiple Exposures • UCR ARTS

September 12, 2022 • Fall programs 2022 • Blackwood Gallery at University of Toronto Mississauga

September 12, 2022 • Fall 2022 events and exhibitions • School of Visual Arts (SVA)

September 9, 2022 • Sarah Greig and Thérèse Mastroiacovo
Rethinking and supposing. Trajectory of an exhibition • Leonard & Bina Ellen Art Gallery at Concordia University

September 9, 2022 • Nina Barnett and Jeremy Bolen
On Breathing • POOL

September 9, 2022 • Future Design Research: Experiments, Disruptions, Affordances symposium • University of Melbourne

September 9, 2022 • Klang und Realität master’s program • Robert Schumann Hochschule Düsseldorf

September 8, 2022 • Symposium: The Question of "Africanness" and the Expanded Field of Sculpture (part one) • Institute for Doctoral Studies in the Visual Arts (IDSVA)

September 8, 2022 • International Conference on Opportunities in the Arts 2022 • TransCultural Exchange

September 8, 2022 • Field Notes: Catherin Schöberl on Gudskul, El Warcha, and *foundationClass*, Documenta 15 • Art & Education

September 8, 2022 • Fall 2022 visiting artists lectures • School of the Art Institute of Chicago

September 7, 2022 • Intra-Disciplinary Seminar (IDS) public lecture series fall 2022 • The Cooper Union for the Advancement of Science and Art

September 7, 2022 • Incredible Machines 2022: Model Is the Message • The New Centre for Research & Practice

September 7, 2022 • MFA & PhD pre-flight scholarships • Transart Institute

September 7, 2022 • Brooks International Fellowship Programme • Tate

September 6, 2022 • A Picture Gallery of the Soul • Katherine E. Nash Gallery at the University of Minnesota

September 6, 2022 • The Art & Craft lectures fall 2022 • Oslo National Academy of the Arts

September 6, 2022 • New Assistant Professors: James Long, Stefan Maier, and Noé Rodríguez • School for the Contemporary Arts at Simon Fraser University

September 6, 2022 • To Transform: fall 2022 public programs and engagement • Columbia University School of the Arts

September 5, 2022 • Call for professors • Karlsruhe University of Arts and Design

September 5, 2022 • INHABIT artist-in-residence program • Max Planck Institute for Empirical Aesthetics

September 5, 2022 • Exhibitions: Peace or Never—Next Generation Graduation Exhibition: Institute Art Gender Nature, FHNW Academy of Art and Design in Basel • Art & Education

September 5, 2022 • MA Curatorial Practice fall 2022 special events • School of Visual Arts (SVA)

September 2, 2022 • Assistant Professor of Painting in the Department of Visual Arts • University of Chicago

September 2, 2022 • The Engine for Art, Democracy and Justice: Artistic Activism and the Power of Collective Resistance • Vanderbilt University

September 2, 2022 • Field Notes: Jef Declercq on Maria Eichhorn, “Relocating a Structure,” German Pavilion, 59th Venice Biennale • Art & Education

September 2, 2022 • Fall 2022 public lecture series • Sam Fox School of Design & Visual Arts at Washington University in St. Louis

September 1, 2022 • Doctoral studies • University of the Arts Helsinki

September 1, 2022 • Powers of Love: Enchantment to Disaffection • PARSE Journal at the University of Gothenburg

September 1, 2022 • One-Year Certificate in Documentary Practice: Visual Storytelling Online • International Center of Photography

August 31, 2022 • Sculpture as Verb / Suzanne Bocanegra: Valley • Gund Gallery at Kenyon College

August 31, 2022 • As We Rise: Photography from the Black Atlantic • Art Museum at the University of Toronto

August 31, 2022 • SAIC Faculty Sabbatical Triennial • School of the Art Institute of Chicago

August 30, 2022 • Rundgang 50Hertz • Hamburger Bahnhof—Museum für Gegenwart—Berlin

August 30, 2022 • Andy Yoder
Overboard • Jule Collins Smith Museum of Fine Art at Auburn University

August 30, 2022 • Fall exhibitions and programs • Tufts University Art Galleries

August 29, 2022 • Correction* fall programs • Vera List Center for Art and Politics

August 26, 2022 • Matters Arising • Arts University Plymouth

August 25, 2022 • Field Notes: Zach Ngin on Asia Art Archive, The Black Archives, and Archives des luttes des femmes en Algérie, Documenta 15 • Art & Education

August 22, 2022 • Field Notes: Helene Romakin on “Turba Tol Hol-Hol Tol,” Chilean Pavilion, 59th Venice Biennale • Art & Education

August 19, 2022 • Visiting Artist KMRU at Un-Writing Nature • Center for Arts, Design, and Social Research

August 18, 2022 • Who Speaks for the Oceans? • Mishkin Gallery at Baruch College, City University of New York (CUNY)

August 17, 2022 • Seven alumni awarded Fulbrights • Rhode Island School of Design (RISD)

August 16, 2022 • Graduation exhibition
Peace or Never • Institute Art Gender Nature, FHNW Academy of Art and Design in Basel

August 15, 2022 • SCAD forms four new schools • Savannah College of Art and Design (SCAD)

August 12, 2022 • Dara Birnbaum: Journey • Miller ICA at Carnegie Mellon University

August 11, 2022 • Field Notes: Toby Üpson on Vladimir Nikolić, Serbian Pavilion, and Tomo Savić-Gecan, Croatian Pavilion, 59th Venice Biennale • Art & Education

August 10, 2022 • Electric Dreams: symposium and exhibition • The Hong Kong University of Science and Technology

August 9, 2022 • Un-Writing Nature • Center for Arts, Design, and Social Research

August 8, 2022 • Certificate of Advanced Studies (CAS) in Audience Engagement • Conservatorio della Svizzera italiana

August 5, 2022 • Techniques Journal: Bordering issue • Center for Philosophical Technologies (CPT) at Arizona State University

August 4, 2022 • Director/curator position • Morris and Helen Belkin Art Gallery at University of British Columbia

August 4, 2022 • Field Notes: Sindi-Leigh McBride on MADEYOULOOK at Documenta 15 • Art & Education

August 3, 2022 • MFA thesis exhibition in Graphic Design
and here in • Yale School of Art

August 2, 2022 • Dead Lecturer / distant relative: Notes from the Woodshed, 1950–1980 • Miriam and Ira D. Wallach Art Gallery at Columbia University

August 1, 2022 • Final call: CAS/MAS in Curating • Zurich University of the Arts (ZHdK)

July 29, 2022 • Princeton Arts Fellowships • Princeton University

July 29, 2022 • Residency 2023 • Stiftung Künstlerdorf Schöppingen

July 29, 2022 • Classroom: What Color Should the Moon Be? • Art & Education

July 28, 2022 • 2022 Cornell Biennial Screen Art Series and Ken Feingold installation • Cornell Council for the Arts

July 28, 2022 • Scholarship applications for fall/winter 2022–23 • The New Centre for Research & Practice

July 27, 2022 • Principal Residency Program Laureates 2023 • La Becque Artist Residency

July 27, 2022 • Cavendish Arts Science Fellowship at Girton College • Cavendish Laboratory at the University of Cambridge

July 27, 2022 • MFA thesis exhibition in Photography
Romance Action Mystery • Yale School of Art

July 26, 2022 • 2022 Graduate Showcase • University of Washington School of Art + Art History + Design

July 26, 2022 • Field Notes: Kim Córdova on INLAND at Documenta 15 • Art & Education

July 25, 2022 • Call for applications 2023 • Maumaus Independent Study Programme

July 21, 2022 • Rundgang 2022 • Karlsruhe University of Arts and Design

July 21, 2022 • Field Notes: May Makki on “Penumbra,” Fondazione In Between Art Film, Venice • Art & Education

July 20, 2022 • Public programme 2022 • Salzburg International Summer Academy of Fine Arts

July 20, 2022 • New York City student juror open call • apexart

July 19, 2022 • Kathy Barry & Sarah Smuts-Kennedy
Energy Work • Adam Art Gallery at Victoria University of Wellington

July 19, 2022 • Artistic/Scientific Assistant • University of the Arts Bremen

July 18, 2022 • Seeking Creative Producer • Cavendish Laboratory at the University of Cambridge

July 18, 2022 • Marwa Arsanios
Who Is Afraid of Ideology? • Blenheim Walk Gallery at Leeds Arts University

July 15, 2022 • Lewis Center for the Arts Hodder Fellowships • Princeton University

July 14, 2022 • Field Notes: Mateusz Sapija on The Question of Funding, Eltiqa, and Sada [Regroup] at Documenta 15 • Art & Education

July 13, 2022 • ektor garcia
matéria prima • Henry Art Gallery at University of Washington

July 13, 2022 • Rundgang 2022: annual student exhibition • Stuttgart State Academy of Art and Design

July 12, 2022 • Seeking Director • Haute école des arts du Rhin

July 12, 2022 • SAIC leaders discuss future of art world • School of the Art Institute of Chicago

July 11, 2022 • Post-Graduate Teaching Fellowship 2022/23 • Association of Independent Colleges of Art & Design (AICAD)

July 8, 2022 • EKP Excellence in Research Award 2022 winner • St. Joost School of Fine Art & Design

July 8, 2022 • Open call: Summer School as School 2022 • Stacion – Center for Contemporary Art Prishtina

July 8, 2022 • Exhibitions: CCA MFA Class of 2022 Thesis Exhibition: California College of the Arts (CCA) • Art & Education

July 7, 2022 • Master's programmes • Liverpool John Moores University

July 7, 2022 • New MA Performance courses and open day • Wimbledon College of Arts at University of the Arts London

July 6, 2022 • Chair, School of Art, Design and Media • Nanyang Technological University

July 6, 2022 • Field Notes: Sara Garzón on Black Quantum Futurism and Más Arte Más Acción at Documenta 15 • Art & Education

July 5, 2022 • KHM OPEN 2022 • Academy of Media Arts Cologne (KHM)

July 5, 2022 • Professorship in metal and jewellery art • Oslo National Academy of the Arts

July 1, 2022 • MFA 2022 graduation exhibition
This is reality • Piet Zwart Institute

July 1, 2022 • MA in Visual Arts and Curatorial Studies with scholarship • Nuova Accademia di Belle Arti (NABA)

June 30, 2022 • Assistant or Associate Professor, arts-based research and pedagogy • Aalto University

June 30, 2022 • 2022–24 VLC Fellows • Vera List Center for Art and Politics

June 29, 2022 • Re-Imagining Socially Engaged Art: Building New Ecologies in a Planetary Crisis • Zeppelin University

June 29, 2022 • Field Notes: Leo Cocar on Gabrielle L’Hirondelle Hill in “The Milk of Dreams,” 59th Venice Biennale • Art & Education

June 28, 2022 • Open call for fall 2023 artists-in-residence • Bemis Center for Contemporary Arts

June 28, 2022 • Alliances & Commonalities 2022 • Stockholm University of the Arts

June 27, 2022 • Office Hours: Jin-me Yoon: School for the Contemporary Arts at Simon Fraser University • Art & Education

June 27, 2022 • Eighth edition of International Awards for Art Criticism • Royal College of Art

June 24, 2022 • Towards Perma-Cultural Institutions: Exercises in Collective Thinking • Stiftung Künstlerdorf Schöppingen

June 23, 2022 • Exhibitions: MFA Art 2022 Thesis Exhibitions: USC Roski School of Art and Design • Art & Education

June 22, 2022 • Bedtime for Democracy • Kounosuke Kawakami Laboratory at Kurashiki University of Science and the Arts

June 22, 2022 • Footnotes: Annotating the Future of Arts Education • Zurich University of the Arts (ZHdK)

June 21, 2022 • Suzanne Deal Booth Fellowship 2022 • Project Row Houses, Kathrine G. McGovern College of the Arts at the University of Houston

June 21, 2022 • Seeking Head of Computational Media and Arts • The Hong Kong University of Science and Technology

June 20, 2022 • Graduation 2022 • LUCA School of Arts

June 20, 2022 • T. Camille Martin-Thomsen appointed Dean of Faculty and VP of Academic Affairs • School of the Art Institute of Chicago

June 17, 2022 • PhD programs • School of Arts at Universidade Católica Portuguesa, Porto

June 17, 2022 • Commencement 2022 • San Francisco Art Institute

June 17, 2022 • Classroom: Oceanic Imaginaries • Art & Education

June 16, 2022 • HOT AND BOTHERED: 2022 Youth Symposium • Science Gallery International

June 16, 2022 • Post-graduate degree in Visual Arts and Research • The New Centre for Research & Practice

June 15, 2022 • New director Ranti Tjan to open graduation show 2022 • Royal Academy of Art, The Hague

June 15, 2022 • Exhibitions: Doing Language : Word Work: Institute for Contemporary Art at Virginia Commonwealth University • Art & Education

June 14, 2022 • FALSE SPRING • Academy of Media Arts Cologne (KHM), 701 e.V. Kunstverein

June 14, 2022 • Museum Fellowship Programme • Zeitz Museum of Contemporary Art Africa

June 14, 2022 • Paul Ramírez Jonas: Key to the City 2022 in Birmingham • Cornell University College of Architecture, Art, and Planning (AAP)

June 13, 2022 • MA Contemporary Arts Practice
Interlaced • Bern University of the Arts HKB

June 13, 2022 • Angewandte Festival 2022 • University of Applied Arts Vienna

June 10, 2022 • PhD programme in visual art and design • PhDArts

June 10, 2022 • Studio Art (summer low residency MFA) grad show • Maryland Institute College of Art (MICA)

June 10, 2022 • School Watch: The Medium is the Method: Activating Education as Experimental Art Practice with LA ESCUELA___ • Art & Education

June 9, 2022 • Graduation show 2022
FUTURE • Minerva Art Academy at Hanze University of Applied Sciences

June 9, 2022 • Office Hours: Eva Díaz: Pratt Institute • Art & Education

June 8, 2022 • A Light Footprint in the Cosmos • School for the Contemporary Arts at Simon Fraser University

June 8, 2022 • Summer public talks program • Transart Institute

June 7, 2022 • Graduation 2022 visual arts and design exhibition • Royal Academy of Fine Arts (KASK), School of Arts of University College Ghent

June 7, 2022 • Group show
(Im)possible Ecologies • Nuova Accademia di Belle Arti (NABA)

June 6, 2022 • International summer workshops • Berlin University of the Arts

June 6, 2022 • Miranda Bellamy and Amanda Fauteux
Terrarium • Owens Art Gallery at Mount Allison University

June 3, 2022 • Master of Arts in Transdisciplinary Design • Istituto Europeo di Design (IED)

June 3, 2022 • DE.a.RE: DEconstruct and REbuild open call • Biennale des jeunes créateurs de l’Europe et de la Méditerranée (BJCEM)

June 3, 2022 • Nine Ways from Sunday: 2022 MFA in Visual Art Thesis Exhibition: Sam Fox School of Design & Visual Arts at Washington University in St. Louis • Art & Education

June 2, 2022 • HfG Graduates 21/22
All we as • Karlsruhe University of Arts and Design

June 2, 2022 • Hochschultage / open house 2022 • University of the Arts Bremen

June 2, 2022 • Visiting Curators Vienna 2022 • Verein K - Kunst, Kultur, Kommunikation

June 1, 2022 • Brown Butter and Transformations • Agnes Etherington Art Centre at Queen's University

June 1, 2022 • the Octopus • University of Applied Arts Vienna

June 1, 2022 • The Clam’s Kiss | Sogi a le faisua • The University of Queensland Art Museum

May 31, 2022 • Extended deadline to apply for courses • Salzburg International Summer Academy of Fine Arts

May 31, 2022 • flashback:forward • Academy of Fine Arts Leipzig

May 31, 2022 • Open call for young art writers: Art & Education Field Notes • Art & Education

May 31, 2022 • Grad show 2022 • Rhode Island School of Design (RISD)

May 30, 2022 • Big Big Big Show • Leeds Arts University

May 30, 2022 • MA Curatorial Practice • School of Visual Arts (SVA)

May 30, 2022 • Renée Green and Frieda Toranzo Jaeger • Hochschule für bildende Künste Hamburg (HFBK)

May 27, 2022 • Community practitioners 2022 • Transart Institute

May 27, 2022 • Artistic-research project and web application • The Dynamic Archive

May 27, 2022 • The Time for Denial is Over: Transnational Program on Restitution • Fondazione Studio Rizoma

May 27, 2022 • Exhibitions: An Asterism*: Parsons Fine Arts 2022 MFA Thesis Exhibition: Parsons School of Design at The New School • Art & Education

May 26, 2022 • AICAD/NOAA Fisheries Art + Science Fellow 2022: Mickey L.D. Morgan • Association of Independent Colleges of Art & Design (AICAD)

May 26, 2022 • Seeking Vice-Chancellor • Royal Institute of Art in Stockholm

May 26, 2022 • Doing Language : Word Work • Institute for Contemporary Art at Virginia Commonwealth University

May 25, 2022 • Master in Fine Arts and Praxis Master in Exhibition Studies • University of the Arts Helsinki

May 25, 2022 • The Useless Tool (Skate Sessions) • University of Chicago Arts

May 25, 2022 • Eros Rising: Visions of the Erotic in Latin American Art • Institute for Studies on Latin American Art (ISLAA)

May 24, 2022 • Spectres of History • Art Gallery of Guelph

May 24, 2022 • In Different Places: Imagining the Biennial Form • MaHKU, Utrecht Graduate School of Visual Art and Design

May 24, 2022 • MA Art & Material Histories • City & Guilds of London Art School

May 23, 2022 • Common Task • Academy of Fine Arts in Prague

May 23, 2022 • Commencement & 2022 MFA graduates • Yale School of Art

May 23, 2022 • Guided by Echoes • School of Visual Arts (SVA)

May 20, 2022 • Vera Molnár
Variations • University of California, Irvine

May 20, 2022 • Curatorial Practice MFA • Maryland Institute College of Art (MICA)

May 19, 2022 • Camden Art Centre residency • University of Exeter

May 18, 2022 • Common Place, Uncommon Space: Is Healthcare a White Space? • University of Chicago Arts

May 18, 2022 • In-person and online MA and PhD programs • The European Graduate School (EGS)

May 17, 2022 • Unmoored, Adrift, Ashore • Emily Carr University of Art + Design

May 17, 2022 • Call for proposals and Global Exhibition Program • Project Anywhere

May 17, 2022 • American Alliance of Museums awards reaccreditation • The Museum at FIT

May 16, 2022 • Curatorial Mentorship Program • Association of Art Museum Curators (AAMC) and AAMC Foundation

May 16, 2022 • Graduation exhibition 2022 • Sandberg Instituut Amsterdam

May 16, 2022 • Commoning Curatorial and Artistic Education • Zurich University of the Arts (ZHdK)

May 13, 2022 • Department of Art & Design seeking Media and Design Technician • Mason Gross School of the Arts at Rutgers University

May 13, 2022 • Weekly online courses 2022 • Transart Institute

May 12, 2022 • Summer 2022 faculty • Institute for Doctoral Studies in the Visual Arts (IDSVA)

May 12, 2022 • Dina El Kaisy Friemuth & Leonie Kellein
INHABITATIONS • M.1 Arthur Boskamp-Stiftung

May 11, 2022 • MA Graphic Communication Design • Central Saint Martins

May 11, 2022 • Portable Gray issue 8: "Earth" • University of Chicago Arts

May 11, 2022 • Next Day Soup • Yale School of Art

May 10, 2022 • SCAD showcases alumni and faculty work at Photo London • Savannah College of Art and Design (SCAD)

May 10, 2022 • International conference on AI art • Aiiiii Art Center

May 9, 2022 • MFA thesis exhibition
An Asterism* • Parsons School of Design at The New School

May 9, 2022 • Assembly 2022 • Portland State University

May 9, 2022 • BFA + MFA exhibition 2022 • Virginia Commonwealth University School of the Arts in Qatar

May 6, 2022 • Open Studios 2022 • Higher Institute for Fine Arts (HISK)

May 6, 2022 • Office Hours: Dr. Ros Gray: Goldsmiths, University of London • Art & Education

May 5, 2022 • Bridget Riley Symposium • Yale Center for British Art

May 5, 2022 • Open call: Materia Abierta 2022 • Materia Abierta

May 5, 2022 • Postdoctoral Fellowship at The Courtauld Institute of Art, University of London • Asymmetry Art Foundation

May 4, 2022 • Degree exhibition 2022
Nourishment for Peace and Freedom • Konstfack University of Arts, Crafts and Design

May 4, 2022 • CAS/MAS in Curating • Zurich University of the Arts (ZHdK)

May 3, 2022 • MFA thesis exhibition
Steady/Retcon • Syracuse University

May 3, 2022 • 2022 MFA thesis exhibition
Beautiful Snail • University of Chicago

May 3, 2022 • Central European Research Institute for Art History 2022 programs • Artpool Art Research Center at the Museum of Fine Arts, Budapest

May 2, 2022 • Curating in a Time of Ecological Crisis: Biennales as Agents of Change • University of New South Wales (UNSW) Art & Design

April 29, 2022 • Inspiration Lab Artist-in-Residence program • University of the Arts Philadelphia

April 28, 2022 • Part-time professor in Fine Arts / coordinator of BA in Representation • Geneva University of Art and Design (HEAD)

April 28, 2022 • Exhibitions: Resonance of Place: CCA Curatorial Practice Thesis Exhibition: California College of the Arts (CCA) • Art & Education

April 27, 2022 • Intensive Summer Masterclass in Visual Storytelling • CAMERA – Centro Italiano per la Fotografia

April 27, 2022 • Monumental Cares: Activist Ethics and Representation in Public Space • University of Applied Arts Vienna

April 27, 2022 • Slavs and Tatars
MERCZbau • Neubauer Collegium for Culture and Society

April 26, 2022 • Raimund Kummer: Kummer weint (Kummer cries) & Schliess die verdammten Eisfach! (Shut the damn freezer!) • Braunschweig University of Art (HBK Braunschweig)

April 26, 2022 • MA in Curatorial and Critical Studies • Goethe University Frankfurt, Städelschule

April 25, 2022 • The Damaged Planet • Academy of Media Arts Cologne (KHM)

April 25, 2022 • PhD in the Arts • Mozarteum University Salzburg

April 25, 2022 • Summer Schools in Curating, Contemporary Art, and Portfolio Development • Royal College of Art

April 22, 2022 • Curatorial Digital Leadership initiative with Culture24 • Association of Art Museum Curators (AAMC) and AAMC Foundation

April 22, 2022 • Graduation Research Hub 2022 • St. Joost School of Fine Art & Design

April 22, 2022 • Big Rock Candy Mountain
POPOPOPOPOP • Mitchell Art Gallery at MacEwan University

April 22, 2022 • Office Hours: Patricia Johnson: Rhode Island School of Design (RISD) • Art & Education

April 21, 2022 • Porto Summer School on Art & Cinema 2022 • School of Arts at Universidade Católica Portuguesa, Porto

April 21, 2022 • 2022 Graduate Degree Exhibition of Cranbrook Academy of Art • Cranbrook Academy of Art

April 21, 2022 • 2022 MFA thesis exhibition
blossom soup, blossom salad • Art, Theory, Practice at Northwestern University

April 20, 2022 • MA Material Futures, MA Biodesign, and MA Regenerative Design • Central Saint Martins

April 20, 2022 • 2022 MFA Thesis Exhibition • Columbia University School of the Arts

April 20, 2022 • 2022 MFA in Illustration & Visual Culture Thesis Exhibition • Sam Fox School of Design & Visual Arts at Washington University in St. Louis

April 19, 2022 • MFA visiting artists • Maine College of Art & Design

April 19, 2022 • Deep Ecology in the Cognitive Capitalocene • Saas-Fee Summer Institute of Art

April 19, 2022 • Call for scholarship applications • Salzburg International Summer Academy of Fine Arts

April 18, 2022 • Summer workshop programme • Berlin University of the Arts

April 18, 2022 • Scholarships & grants • The Art Students League of New York

April 18, 2022 • Wind Tunnel Festival • Zurich University of the Arts (ZHdK)

April 15, 2022 • Final call for PhD applications • Transart Institute

April 15, 2022 • COGRID-19 Baltimore poster project • Maryland Institute College of Art (MICA)

April 15, 2022 • Classroom: Together • Art & Education

April 14, 2022 • Fine Arts & Photography MFA thesis exhibition • Pratt Institute

April 14, 2022 • Cosmological Gardens, Encuentro IV: Cultivating Caring Cultures • Center for Arts, Design, and Social Research

April 14, 2022 • Stone & DeGuire Contemporary Art Award winners • Sam Fox School of Design & Visual Arts at Washington University in St. Louis

April 13, 2022 • SCAD Lacoste 20th anniversary • Savannah College of Art and Design (SCAD)

April 13, 2022 • HES lecturer: coordinator of the Critical Curatorial Cybernetic MRes programme • Geneva University of Art and Design (HEAD)

April 13, 2022 • MA in Curatorial Practice • Chulalongkorn University

April 12, 2022 • Mark Adams, Natalie Robertson, Chris Corson-Scott
Tēnei Ao Tūroa – This Enduring World • Adam Art Gallery at Victoria University of Wellington

April 12, 2022 • "Negotiation" presented by the Center for Social Vision • Swimming Pool

April 12, 2022 • Cheryl D. Miller to deliver commencement keynote address • Rhode Island School of Design (RISD)

April 11, 2022 • Postgraduate Weissenhof programme of Fine Arts & MFA Body, Theory and Poetics of the Performative • Stuttgart State Academy of Art and Design

April 11, 2022 • Protean Lattice • University of British Columbia (UBC)

April 11, 2022 • Pato Hebert
Lingering • Pitzer College Art Galleries

April 8, 2022 • Summer School 2022 • Birth Rites Collection at the University of Kent

April 8, 2022 • Office Hours: Charlotte Laubard: Geneva University of Art and Design (HEAD) • Art & Education

April 7, 2022 • Open call for articles and online Laboratories on radical learning and collective making • LA ESCUELA___

April 7, 2022 • Open Studios 2022 • Yale School of Art

April 6, 2022 • MFA program and double diploma with Tokyo University of the Arts • Eugeniusz Geppert Academy of Art and Design

April 6, 2022 • Sneaker design minor • Savannah College of Art and Design (SCAD)

April 6, 2022 • Post-doctoral researcher positions • UmArts at Umeå University

April 5, 2022 • Master of Arts, Technologies, digital, human mediations and Creation • École Universitaire de Recherche (EUR) ArTeC

April 5, 2022 • Rehearsing Philadelphia by Ari Benjamin Meyers • Curtis Institute of Music

April 5, 2022 • Nine Ways from Sunday: 2022 MFA in Visual Art Thesis Exhibition • Sam Fox School of Design & Visual Arts at Washington University in St. Louis

April 4, 2022 • Spring public lectures in Art Studio • University of California, Davis

April 4, 2022 • Call for applications: Master’s degrees in Art & Design • Royal Academy of Art, The Hague

April 4, 2022 • Master/MAS programs • University of Art and Design Lausanne (ECAL)

April 1, 2022 • Forecast Festival 2022 • Forecast

April 1, 2022 • Final call for MFA applications • Transart Institute

March 31, 2022 • MA in Fashion & Accessory Design • Geneva University of Art and Design (HEAD)

March 31, 2022 • Lamin Fofana
BLUES • Mishkin Gallery at Baruch College, City University of New York (CUNY)

March 31, 2022 • Summer art and design courses • School of the Art Institute of Chicago

March 30, 2022 • Black Quantum Futurism: Time Zone Protocols and Prime Meridian Unconference • Vera List Center for Art and Politics

March 30, 2022 • Nina Barnett and Jeremy Bolen
The Weight in the Air • POOL

March 30, 2022 • Office Hours: Drew Thompson: Bard Graduate Center • Art & Education

March 29, 2022 • SCAD Museum of Art announces new Chief Curator Daniel S. Palmer • Savannah College of Art and Design (SCAD)

March 29, 2022 • Vibrant Matters • Yale School of Art

March 28, 2022 • On Collaboration, Context, and Counterpoints • Block Museum of Art at Northwestern University

March 25, 2022 • Launch of Graphic [···] Languages Master’s program • Haute école des arts du Rhin

March 25, 2022 • Polly Apfelbaum: For the Love of Una Hale / Out of the Heart: The Life and Art of David Ellinger • Arcadia Exhibitions

March 25, 2022 • School Watch: Sink or Swim: Discovering New Strokes in Education at POST in Riga • Art & Education

March 25, 2022 • Attitude • Zurich University of the Arts (ZHdK)

March 24, 2022 • Work.master MFA programme • Geneva University of Art and Design (HEAD)

March 24, 2022 • Artistic Professorship for Contemporary Digital Media • Academy of Fine Arts Munich

March 24, 2022 • Speculative Futures online symposium: Artificial Intelligence • Vancouver Art Gallery, University of British Columbia (UBC)

March 24, 2022 • Avatars In Paradise: final call for applications • SOMA

March 23, 2022 • Live Art Forms—performative practices master’s program • Academy of Fine Arts Nuremberg

March 23, 2022 • Under the Museum, Under the University, Under the City: The Land • Art Museum at the University of Toronto

March 23, 2022 • Opening of Rehearsing Philadelphia • Westphal College of Media Arts and Design at Drexel University

March 23, 2022 • Appeal from LNAA • Lviv National Academy of Arts (LNAA)

March 23, 2022 • Class of 2023 first year MFA exhibition • Columbia University School of the Arts

March 22, 2022 • Postgraduate courses in Performance • Central Saint Martins

March 22, 2022 • XTRA: continuing education and summer workshops • FHNW Academy of Art and Design

March 22, 2022 • Steven Lam appointed Dean of the School of Art • California Institute of the Arts (CalArts)

March 21, 2022 • UNIDEE residency summer 2022: Sustaining Embedded Arts Practice • Cittadellarte – Fondazione Pistoletto

March 21, 2022 • MA in Architecture at Institute for Art and Architecture • Academy of Fine Arts Vienna

March 21, 2022 • Spring and summer events and exhibitions • School of Visual Arts (SVA)

March 18, 2022 • Studios Cycle 2022–24 • Performing Arts Research and Training Studios (P.A.R.T.S.)

March 18, 2022 • MICA Grad Show 2022 • Maryland Institute College of Art (MICA)

March 18, 2022 • Office Hours: Dr. Emily LaBarge: Royal College of Art • Art & Education

March 17, 2022 • St. Elmo Arts Residency for recent MFA graduates • The University of Texas at Austin

March 17, 2022 • MA Space & Communication, Contemporary Design Practices • Geneva University of Art and Design (HEAD)

March 17, 2022 • EXCLUSIVITIES–EXKLUSIVITÄTEN • M.1 Arthur Boskamp-Stiftung

March 16, 2022 • Oceanic Imaginaries • Gerrit Rietveld Academie

March 16, 2022 • Course programme 2022 • Salzburg International Summer Academy of Fine Arts

March 16, 2022 • Undergraduate Summer School in Design History and Material Culture • Bard Graduate Center

March 16, 2022 • Not Only Will I Stare • Art Galleries at Black Studies at University of Texas at Austin

March 15, 2022 • Artist-in-residence opportunities 2023 • Bemis Center for Contemporary Arts

March 15, 2022 • Open call: summer school for Land and Environmental Art • Alps Art Academy

March 15, 2022 • Postgraduate study in Creative Education • Arts University Plymouth

March 15, 2022 • Rehearsing Philadelphia • Westphal College of Media Arts and Design at Drexel University

March 15, 2022 • Travel Scholarship 2022–23 • CCA Islands

March 14, 2022 • Of Public Interest (OPI) Lab • Royal Institute of Art in Stockholm

March 14, 2022 • Raheleh T. Filsoofi and Reza Filsoofi
Listening: The Fourth String • Vanderbilt University

March 14, 2022 • Master of Digital Communication Environments • FHNW Academy of Art and Design

March 14, 2022 • Design Writing & Research Summer Intensive • School of Visual Arts (SVA)

March 11, 2022 • MFA thesis exhibitions • Temple University

March 11, 2022 • Call for papers: Bibliothèque Kandinsky Summer University • Bibliothèque Kandinsky at Centre Pompidou

March 11, 2022 • Classroom: Berlin 2022—State of the Art? • Art & Education

March 10, 2022 • Funded InResidence program • School of Arts at Universidade Católica Portuguesa, Porto

March 10, 2022 • Professorship in Design and Social Justice • Design Academy Eindhoven

March 10, 2022 • CCC Research-based Master of the Visual Arts Department • Geneva University of Art and Design (HEAD)

March 10, 2022 • MFA in Communication Design • School of Art and Design at Texas State University

March 9, 2022 • Bridget Riley: Perceptual Abstraction • Yale Center for British Art

March 9, 2022 • Mr. and Mrs. Raymond J. Horowitz Book Prize • Bard Graduate Center

March 9, 2022 • Helena of Sarayaku • Columbia University School of the Arts

March 9, 2022 • Ages of Receivership: On Generous Listening • Institute Art Gender Nature, FHNW Academy of Art and Design in Basel

March 8, 2022 • Sound Art + Experimental Music artist-in-residence opportunities 2023 • Bemis Center for Contemporary Arts

March 8, 2022 • Online Q&A sessions • Piet Zwart Institute

March 8, 2022 • Launch of two MA courses • Manchester School of Art at Manchester Metropolitan University

March 8, 2022 • MA Experimental Design • FHNW Academy of Art and Design

March 7, 2022 • Master of Fine Arts 2022/23 • Lucerne University of Applied Sciences and Arts, School of Art and Design

March 7, 2022 • Master of Arts and PhD programme in School of Art, Design and Media • Nanyang Technological University

March 7, 2022 • Lecturer in Fine Arts/TRANS—Socially Engaged Artistic Practices • Geneva University of Art and Design (HEAD)

March 7, 2022 • Gideon Appah
Forgotten, Nudes, Landscapes • Institute for Contemporary Art at Virginia Commonwealth University

March 7, 2022 • Artist Residency Programs Free Online Events • School of Visual Arts (SVA)

March 4, 2022 • Spring Open Window Series • Transart Institute

March 4, 2022 • Decolonizing Architecture: Internal colonization and the countryside • Royal Institute of Art in Stockholm

March 4, 2022 • MA Curating Art and Public Programmes and PhD at London South Bank University • Whitechapel Gallery

March 4, 2022 • New platform for radical learning and collective making in public spaces • LA ESCUELA___

March 3, 2022 • Nicole Miller: A Sound, a Signal, the Circus / Chitra Ganesh: Dreaming in Multiverse • Mildred Lane Kemper Art Museum at Washington University in St. Louis

March 3, 2022 • Expected merger with University of San Francisco • San Francisco Art Institute

March 3, 2022 • MA in Media Design • Geneva University of Art and Design (HEAD)

March 3, 2022 • Emily Jacir named spring 2022 Teiger Mentor in the Arts • Cornell University College of Architecture, Art, and Planning (AAP)

March 3, 2022 • Critical studies residencies • Museum of Fine Arts, Houston (MFAH)

March 2, 2022 • Call for applications 2022: MA in Curating • Aarhus University

March 2, 2022 • ISLAA Research Grant • Institute for Studies on Latin American Art (ISLAA)

March 2, 2022 • ACT spring 2022 public programming • Art, Culture, and Technology Program at MIT

March 2, 2022 • Summer 2022 Visual Arts Intensives • Columbia University School of the Arts

March 1, 2022 • Sharon Hayes, Jennifer Karady, Dread Scott, and Marisa Williamson
Performing Past-Present: Transforming Reenactment • Cantor Fitzgerald Gallery at Haverford College

March 1, 2022 • Seeking Professor of Animation • Estonian Academy of Arts

March 1, 2022 • Curatorial Studies programme • Royal Academy of Fine Arts (KASK), School of Arts of University College Ghent

March 1, 2022 • Call for applications: Make/Sense PhD programme • FHNW Academy of Art and Design

February 28, 2022 • Related • Libby Leshgold Gallery at Emily Carr University of Art + Design

February 28, 2022 • Tenure-track appointment in Media Arts • York University

February 28, 2022 • MA Art Education, Culture and Practice • IOE, University College London Faculty of Education and Society

February 28, 2022 • Design Writing and Research summer and fall programs • School of Visual Arts (SVA)

February 25, 2022 • Core Memory • Newcomb Art Museum of Tulane University

February 25, 2022 • Principal Residency Program 2023 • La Becque Artist Residency

February 25, 2022 • MA Solo/Dance/Authorship (SODA) • Inter-University Center for Dance Berlin (HZT)

February 25, 2022 • Office Hours: Nora Sternfeld: Hochschule für bildende Künste Hamburg (HFBK) • Art & Education

February 24, 2022 • Master of Arts in Public Spheres (MAPS) • Valais School of Art (EDHEA)

February 24, 2022 • Global Exhibition Program 2022 • Project Anywhere

February 24, 2022 • SCAD deFINE ART • Savannah College of Art and Design (SCAD)

February 24, 2022 • Master of the Arts in Interior Architecture (MAIA) • Geneva University of Art and Design (HEAD)

February 24, 2022 • Oceanic Thinking • The University of Queensland Art Museum

February 23, 2022 • KPMB Architects commissioned for Agnes Reimagined • Agnes Etherington Art Centre at Queen's University

February 23, 2022 • Accepting applications for winter semester 2022/23 • Karlsruhe University of Arts and Design

February 23, 2022 • Research-Based Curatorial Project 2022 • OCAT Institute

February 23, 2022 • The Public Seminars • School of Visual Arts (SVA)

February 22, 2022 • the thing that happens when the thing that was supposed to happen does not happen • Carnegie Mellon University College of Fine Arts

February 22, 2022 • MA in Contemporary Art • Estonian Academy of Arts

February 22, 2022 • Object Relations: Indigenous Belongings • Miriam and Ira D. Wallach Art Gallery at Columbia University

February 22, 2022 • Tasmeem Doha 2022: Radical Futures • Virginia Commonwealth University School of the Arts in Qatar

February 22, 2022 • Born of Informalismo: Marta Minujín and the Nascent Body of Performance • Institute for Studies on Latin American Art (ISLAA)

February 21, 2022 • Summer registration open • Berlin University of the Arts

February 21, 2022 • Artists Development Programme - geographic focus residency • European Investment Bank Institute

February 21, 2022 • Master's programmes • Sandberg Instituut Amsterdam

February 21, 2022 • Applications open for master's programmes • Piet Zwart Institute

February 18, 2022 • Music in Excess: A Concert of Ukrainian Avant-Garde Music • Zimmerli Art Museum at Rutgers University

February 18, 2022 • Visiting Voices series • Maryland Institute College of Art (MICA)

February 18, 2022 • Art and Politics summer courses • HDK-Valand Academy of Art and Design at University of Gothenburg