July 1, 2022 • MA in Visual Arts and Curatorial Studies with scholarship • Nuova Accademia di Belle Arti (NABA)
June 30, 2022 • Assistant or Associate Professor, arts-based research and pedagogy • Aalto University
June 29, 2022 • Re-Imagining Socially Engaged Art: Building New Ecologies in a Planetary Crisis • Zeppelin University
June 29, 2022 • Field Notes: Leo Cocar on Gabrielle L’Hirondelle Hill in “The Milk of Dreams,” 59th Venice Biennale • Art & Education
June 27, 2022 • Office Hours: Jin-me Yoon: School for the Contemporary Arts at Simon Fraser University • Art & Education
June 24, 2022 • Towards Perma-Cultural Institutions: Exercises in Collective Thinking • Stiftung Künstlerdorf Schöppingen
June 23, 2022 • Exhibitions: MFA Art 2022 Thesis Exhibitions: USC Roski School of Art and Design • Art & Education
June 22, 2022 • Bedtime for Democracy • Kounosuke Kawakami Laboratory at Kurashiki University of Science and the Arts
June 22, 2022 • Footnotes: Annotating the Future of Arts Education • Zurich University of the Arts (ZHdK)
June 21, 2022 • Suzanne Deal Booth Fellowship 2022 • Project Row Houses, Kathrine G. McGovern College of the Arts at the University of Houston
June 21, 2022 • Seeking Head of Computational Media and Arts • The Hong Kong University of Science and Technology
June 20, 2022 • T. Camille Martin-Thomsen appointed Dean of Faculty and VP of Academic Affairs • School of the Art Institute of Chicago
June 16, 2022 • Post-graduate degree in Visual Arts and Research • The New Centre for Research & Practice
June 15, 2022 • New director Ranti Tjan to open graduation show 2022 • Royal Academy of Art, The Hague
June 15, 2022 • Exhibitions: Doing Language : Word Work: Institute for Contemporary Art at Virginia Commonwealth University • Art & Education
June 14, 2022 • Paul Ramírez Jonas: Key to the City 2022 in Birmingham • Cornell University College of Architecture, Art, and Planning (AAP)
June 10, 2022 • Studio Art (summer low residency MFA) grad show • Maryland Institute College of Art (MICA)
June 10, 2022 • School Watch: The Medium is the Method: Activating Education as Experimental Art Practice with LA ESCUELA___ • Art & Education
June 9, 2022 • Graduation show 2022FUTURE • Minerva Art Academy at Hanze University of Applied Sciences
June 8, 2022 • A Light Footprint in the Cosmos • School for the Contemporary Arts at Simon Fraser University
June 7, 2022 • Graduation 2022 visual arts and design exhibition • Royal Academy of Fine Arts (KASK), School of Arts of University College Ghent
June 6, 2022 • Miranda Bellamy and Amanda FauteuxTerrarium • Owens Art Gallery at Mount Allison University
June 3, 2022 • DE.a.RE: DEconstruct and REbuild open call • Biennale des jeunes créateurs de l’Europe et de la Méditerranée (BJCEM)
June 3, 2022 • Nine Ways from Sunday: 2022 MFA in Visual Art Thesis Exhibition: Sam Fox School of Design & Visual Arts at Washington University in St. Louis • Art & Education
May 31, 2022 • Extended deadline to apply for courses • Salzburg International Summer Academy of Fine Arts
May 27, 2022 • The Time for Denial is Over: Transnational Program on Restitution • Fondazione Studio Rizoma
May 27, 2022 • Exhibitions: An Asterism*: Parsons Fine Arts 2022 MFA Thesis Exhibition: Parsons School of Design at The New School • Art & Education
May 26, 2022 • AICAD/NOAA Fisheries Art + Science Fellow 2022: Mickey L.D. Morgan • Association of Independent Colleges of Art & Design (AICAD)
May 26, 2022 • Doing Language : Word Work • Institute for Contemporary Art at Virginia Commonwealth University
May 25, 2022 • Master in Fine Arts and Praxis Master in Exhibition Studies • University of the Arts Helsinki
May 25, 2022 • Eros Rising: Visions of the Erotic in Latin American Art • Institute for Studies on Latin American Art (ISLAA)
May 24, 2022 • In Different Places: Imagining the Biennial Form • MaHKU, Utrecht Graduate School of Visual Art and Design
May 18, 2022 • Common Place, Uncommon Space: Is Healthcare a White Space? • University of Chicago Arts
May 16, 2022 • Curatorial Mentorship Program • Association of Art Museum Curators (AAMC) and AAMC Foundation
May 13, 2022 • Department of Art & Design seeking Media and Design Technician • Mason Gross School of the Arts at Rutgers University
May 10, 2022 • SCAD showcases alumni and faculty work at Photo London • Savannah College of Art and Design (SCAD)
May 9, 2022 • BFA + MFA exhibition 2022 • Virginia Commonwealth University School of the Arts in Qatar
May 5, 2022 • Postdoctoral Fellowship at The Courtauld Institute of Art, University of London • Asymmetry Art Foundation
May 4, 2022 • Degree exhibition 2022Nourishment for Peace and Freedom • Konstfack University of Arts, Crafts and Design
May 3, 2022 • Central European Research Institute for Art History 2022 programs • Artpool Art Research Center at the Museum of Fine Arts, Budapest
May 2, 2022 • Curating in a Time of Ecological Crisis: Biennales as Agents of Change • University of New South Wales (UNSW) Art & Design
April 28, 2022 • Part-time professor in Fine Arts / coordinator of BA in Representation • Geneva University of Art and Design (HEAD)
April 28, 2022 • Exhibitions: Resonance of Place: CCA Curatorial Practice Thesis Exhibition: California College of the Arts (CCA) • Art & Education
April 27, 2022 • Intensive Summer Masterclass in Visual Storytelling • CAMERA – Centro Italiano per la Fotografia
April 27, 2022 • Monumental Cares: Activist Ethics and Representation in Public Space • University of Applied Arts Vienna
April 26, 2022 • Raimund Kummer: Kummer weint (Kummer cries) & Schliess die verdammten Eisfach! (Shut the damn freezer!) • Braunschweig University of Art (HBK Braunschweig)
April 25, 2022 • Summer Schools in Curating, Contemporary Art, and Portfolio Development • Royal College of Art
April 22, 2022 • Curatorial Digital Leadership initiative with Culture24 • Association of Art Museum Curators (AAMC) and AAMC Foundation
April 22, 2022 • Office Hours: Patricia Johnson: Rhode Island School of Design (RISD) • Art & Education
April 21, 2022 • Porto Summer School on Art & Cinema 2022 • School of Arts at Universidade Católica Portuguesa, Porto
April 21, 2022 • 2022 Graduate Degree Exhibition of Cranbrook Academy of Art • Cranbrook Academy of Art
April 21, 2022 • 2022 MFA thesis exhibitionblossom soup, blossom salad • Art, Theory, Practice at Northwestern University
April 20, 2022 • MA Material Futures, MA Biodesign, and MA Regenerative Design • Central Saint Martins
April 20, 2022 • 2022 MFA in Illustration & Visual Culture Thesis Exhibition • Sam Fox School of Design & Visual Arts at Washington University in St. Louis
April 19, 2022 • Call for scholarship applications • Salzburg International Summer Academy of Fine Arts
April 14, 2022 • Cosmological Gardens, Encuentro IV: Cultivating Caring Cultures • Center for Arts, Design, and Social Research
April 14, 2022 • Stone & DeGuire Contemporary Art Award winners • Sam Fox School of Design & Visual Arts at Washington University in St. Louis
April 13, 2022 • HES lecturer: coordinator of the Critical Curatorial Cybernetic MRes programme • Geneva University of Art and Design (HEAD)
April 12, 2022 • Mark Adams, Natalie Robertson, Chris Corson-ScottTēnei Ao Tūroa – This Enduring World • Adam Art Gallery at Victoria University of Wellington
April 12, 2022 • Cheryl D. Miller to deliver commencement keynote address • Rhode Island School of Design (RISD)
April 11, 2022 • Postgraduate Weissenhof programme of Fine Arts & MFA Body, Theory and Poetics of the Performative • Stuttgart State Academy of Art and Design
April 8, 2022 • Office Hours: Charlotte Laubard: Geneva University of Art and Design (HEAD) • Art & Education
April 7, 2022 • Open call for articles and online Laboratories on radical learning and collective making • LA ESCUELA___
April 6, 2022 • MFA program and double diploma with Tokyo University of the Arts • Eugeniusz Geppert Academy of Art and Design
April 5, 2022 • Master of Arts, Technologies, digital, human mediations and Creation • École Universitaire de Recherche (EUR) ArTeC
April 5, 2022 • Nine Ways from Sunday: 2022 MFA in Visual Art Thesis Exhibition • Sam Fox School of Design & Visual Arts at Washington University in St. Louis
April 4, 2022 • Call for applications: Master’s degrees in Art & Design • Royal Academy of Art, The Hague
March 31, 2022 • Lamin FofanaBLUES • Mishkin Gallery at Baruch College, City University of New York (CUNY)
March 30, 2022 • Black Quantum Futurism: Time Zone Protocols and Prime Meridian Unconference • Vera List Center for Art and Politics
March 29, 2022 • SCAD Museum of Art announces new Chief Curator Daniel S. Palmer • Savannah College of Art and Design (SCAD)
March 28, 2022 • On Collaboration, Context, and Counterpoints • Block Museum of Art at Northwestern University
March 25, 2022 • Polly Apfelbaum: For the Love of Una Hale / Out of the Heart: The Life and Art of David Ellinger • Arcadia Exhibitions
March 25, 2022 • School Watch: Sink or Swim: Discovering New Strokes in Education at POST in Riga • Art & Education
March 24, 2022 • Speculative Futures online symposium: Artificial Intelligence • Vancouver Art Gallery, University of British Columbia (UBC)
March 23, 2022 • Live Art Forms—performative practices master’s program • Academy of Fine Arts Nuremberg
March 23, 2022 • Under the Museum, Under the University, Under the City: The Land • Art Museum at the University of Toronto
March 23, 2022 • Opening of Rehearsing Philadelphia • Westphal College of Media Arts and Design at Drexel University
March 22, 2022 • Steven Lam appointed Dean of the School of Art • California Institute of the Arts (CalArts)
March 21, 2022 • UNIDEE residency summer 2022: Sustaining Embedded Arts Practice • Cittadellarte – Fondazione Pistoletto
March 21, 2022 • MA in Architecture at Institute for Art and Architecture • Academy of Fine Arts Vienna
March 17, 2022 • St. Elmo Arts Residency for recent MFA graduates • The University of Texas at Austin
March 17, 2022 • MA Space & Communication, Contemporary Design Practices • Geneva University of Art and Design (HEAD)
March 16, 2022 • Undergraduate Summer School in Design History and Material Culture • Bard Graduate Center
March 16, 2022 • Not Only Will I Stare • Art Galleries at Black Studies at University of Texas at Austin
March 15, 2022 • Rehearsing Philadelphia • Westphal College of Media Arts and Design at Drexel University
March 14, 2022 • Raheleh T. Filsoofi and Reza FilsoofiListening: The Fourth String • Vanderbilt University
March 11, 2022 • Call for papers: Bibliothèque Kandinsky Summer University • Bibliothèque Kandinsky at Centre Pompidou
March 10, 2022 • Funded InResidence program • School of Arts at Universidade Católica Portuguesa, Porto
March 10, 2022 • CCC Research-based Master of the Visual Arts Department • Geneva University of Art and Design (HEAD)
March 9, 2022 • Ages of Receivership: On Generous Listening • Institute Art Gender Nature, FHNW Academy of Art and Design in Basel
March 8, 2022 • Sound Art + Experimental Music artist-in-residence opportunities 2023 • Bemis Center for Contemporary Arts
March 8, 2022 • Launch of two MA courses • Manchester School of Art at Manchester Metropolitan University
March 7, 2022 • Master of Fine Arts 2022/23 • Lucerne University of Applied Sciences and Arts, School of Art and Design
March 7, 2022 • Master of Arts and PhD programme in School of Art, Design and Media • Nanyang Technological University
March 7, 2022 • Lecturer in Fine Arts/TRANS—Socially Engaged Artistic Practices • Geneva University of Art and Design (HEAD)
March 7, 2022 • Gideon AppahForgotten, Nudes, Landscapes • Institute for Contemporary Art at Virginia Commonwealth University
March 4, 2022 • Decolonizing Architecture: Internal colonization and the countryside • Royal Institute of Art in Stockholm
March 4, 2022 • MA Curating Art and Public Programmes and PhD at London South Bank University • Whitechapel Gallery
March 4, 2022 • New platform for radical learning and collective making in public spaces • LA ESCUELA___
March 3, 2022 • Nicole Miller: A Sound, a Signal, the Circus / Chitra Ganesh: Dreaming in Multiverse • Mildred Lane Kemper Art Museum at Washington University in St. Louis
March 3, 2022 • Emily Jacir named spring 2022 Teiger Mentor in the Arts • Cornell University College of Architecture, Art, and Planning (AAP)
March 1, 2022 • Sharon Hayes, Jennifer Karady, Dread Scott, and Marisa WilliamsonPerforming Past-Present: Transforming Reenactment • Cantor Fitzgerald Gallery at Haverford College
March 1, 2022 • Curatorial Studies programme • Royal Academy of Fine Arts (KASK), School of Arts of University College Ghent
February 28, 2022 • MA Art Education, Culture and Practice • IOE, University College London Faculty of Education and Society
February 28, 2022 • Design Writing and Research summer and fall programs • School of Visual Arts (SVA)
February 25, 2022 • Office Hours: Nora Sternfeld: Hochschule für bildende Künste Hamburg (HFBK) • Art & Education
February 24, 2022 • Master of the Arts in Interior Architecture (MAIA) • Geneva University of Art and Design (HEAD)
February 23, 2022 • KPMB Architects commissioned for Agnes Reimagined • Agnes Etherington Art Centre at Queen's University
February 23, 2022 • Accepting applications for winter semester 2022/23 • Karlsruhe University of Arts and Design
February 22, 2022 • the thing that happens when the thing that was supposed to happen does not happen • Carnegie Mellon University College of Fine Arts
February 22, 2022 • Object Relations: Indigenous Belongings • Miriam and Ira D. Wallach Art Gallery at Columbia University
February 22, 2022 • Tasmeem Doha 2022: Radical Futures • Virginia Commonwealth University School of the Arts in Qatar
February 22, 2022 • Born of Informalismo: Marta Minujín and the Nascent Body of Performance • Institute for Studies on Latin American Art (ISLAA)
February 21, 2022 • Artists Development Programme - geographic focus residency • European Investment Bank Institute
February 18, 2022 • Music in Excess: A Concert of Ukrainian Avant-Garde Music • Zimmerli Art Museum at Rutgers University
February 18, 2022 • Art and Politics summer courses • HDK-Valand Academy of Art and Design at University of Gothenburg
February 16, 2022 • Dana DeGiulio: Live or Die / Brandon Ndife: Down to the Spoons and Forks • Ezra and Cecile Zilkha Gallery at Wesleyan University
February 16, 2022 • Exhibitions: MA Curatorial Practices and the Public Sphere Practicum Exhibition: USC Roski School of Art and Design • Art & Education
February 15, 2022 • Young Curators Programme: Belgian Pavilion at the Venice Biennale • Royal Academy of Fine Arts (KASK), School of Arts of University College Ghent
February 15, 2022 • Time and Face: Daguerreotypes to Digital Prints • Miriam and Ira D. Wallach Art Gallery at Columbia University
February 14, 2022 • Artists Development Programme on "Margins to Centre/Periphery to Core" • European Investment Bank Institute
February 14, 2022 • Department of Art Visiting Artist Lecture Series (VALS) • University of California, Irvine
February 11, 2022 • School Watch: Artists for Artists: Mentorship through Care, Solidarity, and Reciprocity • Art & Education
February 10, 2022 • MA in Critical and Curatorial Studies of Contemporary Art (CCSCA) • National Taipei University of Education (NTUE)
February 10, 2022 • Arnold J. KempLess Like an Object and More Like the Weather • Neubauer Collegium for Culture and Society
February 10, 2022 • Core Program: artist and critical studies residencies • Museum of Fine Arts, Houston (MFAH)
February 9, 2022 • Applications open for Master of Fine Arts • Institute Art Gender Nature, FHNW Academy of Art and Design in Basel
February 8, 2022 • What Is The Use Of Buddhist Art? • Miriam and Ira D. Wallach Art Gallery at Columbia University
February 7, 2022 • Artists Development Programme on “Disruption: The Imprint of Man” • European Investment Bank Institute
February 4, 2022 • International MA in Fine Arts • Academy of Arts at UiT–The Arctic University of Norway
February 4, 2022 • AAA Winter 22Angewandte Final Theses on Exhibition • University of Applied Arts Vienna
February 4, 2022 • From Moment to Movement: Picturing Protest in the Kramlich Collection • Manetti Shrem Museum of Art at the University of California, Davis
February 4, 2022 • Office Hours: Dorothee Richter: Zurich University of the Arts (ZHdK) and University of Reading • Art & Education
February 3, 2022 • Lauren WilliamsWake Work* • University of Washington School of Art + Art History + Design
February 2, 2022 • Engagement Program for International Curators • Association of Art Museum Curators (AAMC) and AAMC Foundation
February 2, 2022 • Masterstudio Design: uniting four design master programmes • FHNW Academy of Art and Design
February 1, 2022 • Intra-Disciplinary Seminar (IDS) public lecture series • The Cooper Union for the Advancement of Science and Art
February 1, 2022 • Doctoral position in Fine Arts in Faculty of Fine and Performing Arts • Malmö Art Academy
February 1, 2022 • Repair: Spring 2022 Public Programs and Engagement • Columbia University School of the Arts
January 31, 2022 • Call for applications: two-year course • Le Fresnoy – Studio national des arts contemporains
January 31, 2022 • Spring 2022 lecture series • Center for Innovation, Research, and Creativity in the Arts at University of Maryland, Baltimore County
January 31, 2022 • Public lecture series • Sam Fox School of Design & Visual Arts at Washington University in St. Louis
January 27, 2022 • Master's program for exhibition theory and practice: educating/curating/managing (/ecm) • University of Applied Arts Vienna
January 26, 2022 • Visiting speaker series • Kathrine G. McGovern College of the Arts at the University of Houston
January 21, 2022 • MA, MFA, and dual degree programs • Pacific Northwest College of Art (PNCA) at Willamette University
January 20, 2022 • Master, postgraduate, and bachelor programs • Royal Academy of Fine Arts (KASK), School of Arts of University College Ghent
January 20, 2022 • Art for the Future: Artists Call and Central American Solidarities • Tufts University Art Galleries
January 19, 2022 • MA programmes in Painting, MADtech, iRAP and MADAM at Frank Mohr Institute • Minerva Art Academy at Hanze University of Applied Sciences
January 17, 2022 • Scholarship applications: spring/summer 2022 • The New Centre for Research & Practice
January 14, 2022 • Call for applications: MFA programmes • The Royal Danish Academy of Fine Arts, Schools of Visual Arts
January 14, 2022 • Harmonia Rosales: EntwinedMona Kuhn835 Kings Road • Art, Design & Architecture Museum at University of California, Santa Barbara
January 13, 2022 • Studio Art, Art History, & Art Education graduate degree programs • Ernest G. Welch School of Art and Design at Georgia State University
January 13, 2022 • Spring 2022 Audain Visual Artist in Residence: Jackson Polys • School for the Contemporary Arts at Simon Fraser University
January 13, 2022 • Future Memories of This Land: The Confluence Project, Indigenous Counter-Narratives, and Maya Lin’s Counter-Monuments • Lewis and Clark College
January 11, 2022 • 2022 Critical Issues Lecture Series • University of Washington School of Art + Art History + Design
January 10, 2022 • A Site of Struggle: American Art against Anti-Black Violence • Block Museum of Art at Northwestern University
January 10, 2022 • The Cultivators: Highlights from the Kinsey African American Art and History Collection • Lisa Smith Wengler Center for the Arts at Pepperdine University
January 5, 2022 • REPATRIATES project by Khadija von Zinnenburg Carroll and open call for PhD fellowship • Central European University
January 5, 2022 • Office Hours: Paul Ramírez Jonas: Cornell University College of Architecture, Art, and Planning (AAP) • Art & Education
January 4, 2022 • Seeking faculty in Art, Design, Humanities and Social Impact • ArtCenter College of Design
January 4, 2022 • Master of Design information session • University of Illinois at Chicago, FHNW Academy of Art and Design
January 3, 2022 • Tenth anniversary exhibition program • Eli and Edythe Broad Art Museum at Michigan State University
