Alaa Al Kurdi. “Reverse Privilege,” 2018. Video.
Sasha Auerbakh. “Inevitable Leap,” 2018. Sculpture.
Johannes Daniel Bode. “The No-show,” 2015–17. Video installation and performance. Photo by Johannes Bode, Christian Pfabigan, and Marina Kellner.
Daniela Bogenreiter. “Clothing for free,” 2018. Public wardrobe installed at Yppenplatz, Vienna.
Aleksandar Bubalo. “Species,” 2018. Film.
Ting-Jung Chen. “Side Walk,” 2018. Sculpture. Photo by Leonhard Hilzensauer.
Yasmine-Stephanie Eid-Sabbagh. “Frictional Conversations | Re-Negotiating Subjectivities, Endurance and Photography in the Palestinian Refugee Camp of Burj al-Shamali,” 2017. Installation in Abwein, Palestine. Photo by Andrea Thal.
Eszter Katalin. “Mary in Red,” 2018. Video.
Dmytro Fedorenko. “Subspace Disciplines,” 2018. Installation.
Susanna Flock. “Forming Storming Norming Performing,” 2017. Video installation.
Annika Friedrich. “In the grass,” 2018. Colored pencil on cardboard.
Ipek Hamzaoglu. “Corridor,” 2017. Video.
Valentina Hirsch. “In der Fremde [Abroad],” 2018. Book.
Lisa Käppler. “Terra Incognita,” 2018. Stage design.
Magdalena Kauer. “Soundselfies | Analysis, appropriation and ambivalences of electronic sound production in the context of techno culture,” 2018. Book and sound projection.
Anna Khodorkovskaya. “I see,” 2018. Mosaic.
Liesa Kovacs, “CONTINUITIES 1–4,” 2018. Four-channel video installation.
Benjamin Kuran. “Mare nostrum,” 2018. Eight-channel video installation.
Marlene Charlotte Lübke-Ahrens. “The elastic space,” 2018. Architectural project.
Geraldine Massing. “103.26,5 alltägliche Schwimmbewegungen [Everyday Natatory Movements],” 2018. Stage design.
Andrea Maurer. “Du bist nicht gerade in Anordnung plötzlich da [You are not just suddenly here in arrangement],” 2018. Billboard installation.
Paul Richard Mittler. “Die Cityboys,” 2017–18. Oil on canvas.
Kasper Møller Christiansen. “Kitchen Tears,” 2018. Spray paint and stencil on canvas.
Wolfgang Novotny. “The Architecture of a Burrow | A spatial translation of Franz Kafka's narration ‘Der Bau,’” 2017–18. Architectural project.
Flavio Palasciano. “Klubscham,” 2018. Sculpture.
Denise Palmieri Henrique Oliveira. “Cut into the chase,” 2018. Performance.
Agnes Peschta. “The disciplinary proceeding of Gerda Matejka-Felden, 1949–1951 | Gaps in the estate and archives: investigation, discourse analysis and walk to impart history,” 2017. Photo by Tiana Katinka.
Elisabeth Pfalzer. “Las Trenzas,” 2017–18. Performance, video, and installation.
Lucia Elena Prusa. “Body City,” 2018. Sculpture. Photo by Raphael Reichl.
Rudi Rapf. “Men of Good Will,” 2018. Photographs.
Josef Matthias Rath. “Investigation, conservation/restoration and reconstruction of the earliest known Viennese double-bass of Nikolaus Leidolff (1693),” 2018. Conservation project.
Dominic Schwab. “The Shape of Time—Towards a Crypto-Architecture,” 2018. Animation.
Artemiy Sergeevic Shokin. “According to Given Circumstances,” 2018. Stage design.
Sebastiano Sing. “G P C R,” 2018. Performance.
Sara My Ingegerd Sjöberg. “And the earth trembled,” 2018. Video.
Rumena Trendafilova. “Post-historical dreaming,” 2018. Film.
Anna Jeanny Sanny Valentiny. “Hortus Alienum—Scenographies Of Nobody's Voyage,” 2018. Architectural project.
Denis Yashin, “Yashin Express,” 2017. Press image.
Yulia Zastava. “Silence but hunger,” 2018. Installation.
Kateryna Zavoloka. “Fire From Within,” 2018. Audiovisual performance.
Alaa Al Kurdi. “Reverse Privilege,” 2018. Video.