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Announcement
May 1, 2014

Without Masks:Contemporary Afro-Cuban Art

Museum of Anthropology at The University of British Columbia
Juan Carlos Alom, Sin Palabras (Without Words), 2008.
Digital print laminated on PVC, edition 1 of 3.

The Museum of Anthropology (MOA) at UBC opens a window into the lives and struggles of Cubans of African descent in its new exhibition Without Masks: Contemporary Afro-Cuban Art on display from May 2 to November 2. This remarkable exhibition has assembled a diverse group of Cuban contemporary artists devoted to two fascinating themes: on the one hand, an insight into contemporary Afro-Cuban cultural and religious traditions and, on the other, an intense dialogue on the complex racial issues affecting the country today.

Orlando Hernández, formerly of the Museo Nacional de Bellas Artes in Havana, curated Without Masks following his own rigorous criteria. Focusing beyond aesthetic, the exhibit favours originality and the profoundness of the works’ sociological, historical, anthropological, religious, ethical and political messages.

“There is a very strong African tradition in Cuba. We inherited many religious practices from Africa—Palo Monte, Santeria, Ifá, Abakuá—and there are a lot of Cubans of direct or mixed African descent,” says Hernández. “In Without Masks we seek to make new and deeper studies of those cultural, aesthetic, symbolic, and religious legacies that we share and take for granted, without forgetting that we have received them from black sub-Saharan Africa.”

For Without Masks, Hernández has curated a powerful collection of artworks representing a cross-section of Afro-Cuban artists—from the internationally renowned to street and folk artists. The exhibition features 31 artists showing a total of 85 works spanning a range of media, including painting on canvas and wood, watercolour, drawing, printing (xylography, silk-screen, calligraphy), collage, patchwork, installation, soft-sculpture, photography, video-installation and video art. 

All the works in the exhibition are drawn from the von Christierson Collection. Chris and Marina von Christierson, themselves South African, first visited Cuba in 2007 and were drawn to the country and its art. During this visit they met Orlando Hernández and established a collaboration with him to develop a collection of Afro-Cuban art that would show the multiple imprints of Africa in Cuba’s artistic culture. The collection was first exhibited at the Johannesburg Art Gallery in 2010 during the FIFA World Cup. A major catalogue featuring the collection is available in the MOA Shop. The collection is held by the family’s Watch Hill Foundation, a not-for-profit charitable organization.

 

MOA public programs
Opening reception: Friday, May 2, 7–9pm
Join us for a public reception in celebration of the opening of Without Masks.

Artists talk: Saturday, May 3, 1–4pm
Vancouver resident Cuban artist Manuel Piña joins Without Masks featured artists Marta María Pérez Bravo and Alexis Esquivel Bermúdez for a conversation on contemporary Afro-Cuban art. 

Curator tour: Sunday, May 4, 1–3pm
Curator Orlando Hernández will lead a tour of the exhibition followed by a discussion with Chris von Christierson about the partnership that led to the establishment of the Collection.   

Artists talk: Tuesday, May 6, 7–9pm
Join artists from Without Masks as they present their different artistic practices.

 

About MOA
The Museum of Anthropology (MOA) at the University of British Columbia (UBC) is world-renowned for its collections, research, teaching, public programs, and community connections. Founded in 1949 in the basement of the Main Library at UBC, its mission is to inspire understanding of and respect for world arts and cultures. Today, Canada’s largest teaching museum is located in a spectacular building overlooking mountains and sea. MOA houses more than 42,000 ethnographic objects and 535,000 archaeological objects, including many, which originate from the Northwest Coast of British Columbia. 

 

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