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Announcement
February 16, 2015

Call for applications

SOMA
Evento de cierre, SOMA Summer 2014.

SOMA Summer is a unique eight-week program for international artists, curators, critics and art historians, conducted in English in Mexico City.

SOMA Summer introduces participants to the dynamic art scene of Mexico City through visits to museums, openings, and artists’ studios. Designed to promote intense creative work and open dialogue, the program is built around a series of seminars and workshops led by renowned Mexican and international artists. Participants meet weekly for individual critiques with a variety of artists and curators. Activities are designed to promote intense creative work and artistic dialogue.

SOMA is a space for reconsideration and reflection, where artists have the opportunity to critically analyze their work and to revisit their creative processes. SOMA facilities offer shared studio spaces. Although labs and workshops are not available, we do provide logistical support for producing work within Mexico City. Successful applicants must demonstrate significant experience in their field and will be expected to participate in all program activities.

All program activities are in English.


SOMA Summer 2015
The excessive elasticity of the international monetary and financial system (and its role in the recent financial crisis), coupled with the excessive emission of carbon dioxide (leading, inevitably, to global warming) might provoke an urge to slow down, to contain. Excess seems to be the malaise of our time.

During SOMA Summer 2015, we will focus on the idea of excess and its relationship with contemporary art. We will depart from the proposal of the French writer Georges Bataille, who considers excess in the form of waste or “expenditure” not as a malaise, but as an outlet of energy that needs to be spent. It is here that he locates art. Along these lines, we will analyze the libidinal forces that connect the economic and aesthetic spheres. We will also revise the overwhelming Baroque style (specifically the Mexican Baroque), which developed in 17th century as a manifestation of the power of the church and the state, as well as its influence in today’s art production and consumption. Our notion of excess will, itself, expand as we explore the concept during seminars, lectures, and workshops with participating artists, curators, and academics in the field.

Seminars, workshops, and lectures
Eduardo Abaroa (artist, Mexico)
Mariana Botey (artist/writer, Mexico)
Amy Sara Carroll (art historian, USA)
Juli Carson (curator/writer, USA)
Ricardo Dominguez (artist, USA)
Carla Herrera-Prats (artist, Mexico)
Jorge Luis Marzo (curator, Spain)
José Luis Sánchez Rull (artist, Mexico)
Javier Toscano (artist/writer, Mexico)

Special sessions
Camel Collective (artist collective, Mexico/USA)
Diedrich Diederichsen (writer, Germany)
Tyler Coburn (artist, USA)
Alfonso Hernández (art historian, Mexico)
Fernando Mesta (curator, Mexico)
Juliane Rebentisch (writer, Germany)

Studio visits
Rocío Boliver, aka La Congelada de Uva (artist, Mexico)
Jota Izquierdo (artist, Spain)
Vicente Razo (artist, Mexico)
Miguel Ventura (artist, USA)

Individual critiques
Magalí Arriola (curator, Mexico)
Raúl Ortega Ayala (artist, Mexico)
Helena Chávez (curator/writer, Mexico)
Tatiana Cuevas (curator, Mexico)
Mariana David (curator, Mexico)
Irving Dominguez (critic, Mexico)
Magnolia de la Garza (curator, Mexico)
Anthony Graves (artist, USA)
Nate Harrison (artist/writer, USA)
Enrique Ježik (artist, Argentina)
Graciela Kasep (curator, Mexico)
Willy Kautz (curator, Mexico)
Alejandra Labastida (curator, Mexico)
Catalina Lozano (curator, Colombia)
Luis Felipe Ortega (artist, Mexico)
Pedro Ortiz-Antoranz (curator, Spain)
Bárbara Perea (curator, Mexico)
Paola Santoscoy (curator, Mexico)
Joaquín Segura (artist, Mexico)

The application deadline is March 2.
Apply online here.

For more information about
SOMA Summer
Detailed program of activities

Contact: [email protected]

 

Call for applications: SOMA Summer 2015

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