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Announcement
May 12, 2015

Media Arts MFA Thesis Exhibition

University of California, Los Angeles

Kate Parsons, Hurry Up Please It’s Time. From “To The Deathless, Dying,” 2015.

The UCLA Department of Design Media Arts presents the 2015 Media Arts MFA Thesis Exhibition. This show is the culmination of the two-year program and features work by the ten artists who will graduate from the program this June. The opening reception is Thursday, May 14 from 5 to 8pm.

The exhibiting artists are John Brumley, Aliah Magdalena Dark, Julieta Gil, Camella Da Eun Kim, Jane Mi, Miguel Nobrega, Katherine Parsons, Saakshita Prabhakar, Alexander Rickett, and Daniel Schwarz.

This event is free and open to the public.

The Department of Design Media Arts
The Department of Design Media Arts (DMA) at UCLA cultivates a comprehensive, multidisciplinary approach to artistic practice that focuses experimentation and innovative thinking. We synthesize practice, history, and theory and hybridize technologies, discourses, and audiences. Artists in the program create work for books, galleries, game consoles, installations, films, magazines, performances, public spaces, televisions, and websites. We strive to create socially and culturally relevant objects, experiences, and spaces.

MFA in Media Arts
The MFA Program in Media Arts offers a rigorous environment for the sustained exploration of contemporary arts practice in the context of media and technology. Students are challenged to question conventional ideas about art, technology, and new media while developing a critical awareness of their work. Graduate students come from diverse backgrounds including the visual and performing arts, architecture, science, and engineering.

The department’s world-renowned faculty includes Rebecca Allen, Johanna Drucker, Erkki Huhtamo, Robert Israel, Willem Henri Lucas, Peter Lunenfeld, Rebeca Mendez, Christian Moeller, Casey Reas, Ramesh Srinivasan, Jennifer Steinkamp, Eddo Stern, and Victoria Vesna.

More information about the program is available here.

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