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Announcement
May 31, 2022

flashback:forward

Academy of Fine Arts Leipzig

View of flashback:forward, HGB gallery, 2022. Photo: Anna Sophie Knobloch.

View of flashback:forward, HGB gallery, 2022. Courtesy of artists Henrik Olesen and Louise Lawler. Photo: Anna Sophie Knobloch.

Henrik Olesen, As Yet Untitled 1, 2018. Courtesy the artist and Galerie Buchholz. Photo: Anna Sophie Knobloch.

Anna Oppermann, Secret to Anna O. (reference ensemble "Being different", 1970–86), appr. 1980. Courtesy Galerie Barbara Thumm/ Nachlass Anna Oppermann. Photo: Anna Sophie Knobloch.

View of flashback:forward, HGB gallery, 2022. Courtesy of artists Josephine Pryde, Anna Oppermann, and Thomas Locher. Photo: Anna Sophie Knobloch.

View of flashback:forward, HGB gallery, 2022. Photo: Anna Sophie Knobloch.

View of flashback:forward, HGB gallery, 2022. Courtesy of artists Willem de Rooij and Bouchra Khalili. Photo: Anna Sophie Knobloch.

Exhibition with works by: Gerard Byrne, Andrea Fraser, Clegg & Guttmann, Bouchra Khalili, Joseph Kosuth, Louise Lawler, Thomas Locher, Dorit Margreiter, Angela Melitopoulos with Maurizio Lazzarato, Henrik Olesen, Anna Oppermann, Marion von Osten, Stephen Prina, Josephine Pryde, Willem de Rooij, Katya Sander.

Exhibition concept and realization: Ilse Lafer, Thomas Locher with the team of the HGB gallery.

Exhibiting art in a place where it is also taught creates a unique set of circumstances. The way in which knowledge is imparted here—through showing and discussing artistic practices—is neither bound to the curriculum nor is it entirely removed from it, insofar as we consider the extent to which the contextual setting of “art education” and all representational systems associated with it extend their reach into the academy’s gallery. Situated both within the school and at the same time on the periphery of teaching, the exhibition space can be viewed as a “study room” that both deviates from the curriculum while also benefiting from its specific context.

flashback:forward is about this kind of “study room”—a place accessible to everyone and one that allows for an artistic, discursive frame of reference which is related to teaching and the academy's ways of operating and representing itself, without addressing these aspects explicitly. Within this “study room”, an imaginary “thinking collective” of artists begins to take shape, one which is connected to a (teaching) practice or practice theory relevant to art education. Meant here are artistic processes such as those that (self-critically) consider themselves in relation to institutional rules, hierarchical normative thinking, socio-cultural and socio-economic functioning modes or to essentialist concepts of art and artists. These quite heterogeneous practices also constitute a referential framework for the artistic and institutional work of Thomas Locher, Rector of the Leipzig Academy of Fine Arts (HGB), whose term of office will come to an end in the summer of 2022. In this way, flashback:forward also embodies a space of resonance that is particular to the HGB and (like flashbacks) retroactively reveals possible ties to the teaching within the art academy.

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