Related
Announcement
February 24, 2022

Global Exhibition Program 2022

Project Anywhere

Anders Ehlin and Selma Boskailo, Porosity of Borders, 2021. Photograph (site-specific binaural soundwalk) 2021. Courtesy of the artists. 

Project Anywhere is pleased to announce our 2022 Global Exhibition Program. Designed to promote art at the outermost limits of location-specificity, Project Anywhere uses a blind peer review model to replace the role of curator, providing artists and artistic researchers working outside traditional exhibition systems with peer-validation, community support, and global dissemination of their work. Extending upon our core global exhibition program, all hosted projects are also invited to participate in our international conferences and symposia and to contribute to our biennial publication Anywhere.

Project Anywhere accepts proposals from artists and researchers working anywhere in the world, in any context. All proposals submitted to Project Anywhere are reviewed by four artist academics of international standing and all applicants receive a compilation of comprehensive feedback on their proposal submission.

Project Anywhere’s evaluation criteria stress that all proposals must make a clear and compelling case for a proposed project’s capacity to contribute to knowledge in an identified field of creative practice. Accordingly, it is expected that proposals identify related artistic precedents and relevant literature. Projects can be speculative or discursive in nature and can extend or contradict existing methodologies. It is also expected that proposed projects align with Project Anywhere's focus on art and artistic research that takes place outside traditional exhibition spaces and circuits.

Please note that Project Anywhere does not provide funding nor expect exclusivity. We welcome collaborative and curatorial projects as well as projects hosted by other institutions.

Submission deadline for 2023 Global Exhibition Program: September 1, 2022.

2022 Global Exhibition Program
De-Territorialized Listenings (The New Liquidity: Anders Ehlin and Selma Boskailo) / 900mdpl: Genealogy of Ghost and How to Live with Them (LIR and Mira Asriningtyas) / Open Mountain: Aspect Ratio (Maria Rojas Arias) / Room With a View (Elizabeth Gerdeman in collaboration with Michael Hahn) / On Leaving (Nour Osseiran) / Nucleus for Change (Rodrigo N. Albornoz) / Re-Visiting Theatre of the Oppressed (Sohini Basu) / An Ecological Oracle (Raphael Arar) / Geography of Destruction (Bahar Majdzadeh) / Mientras Allá Trabajan y Progresan (Juan Pablo) / Dreams, Giants and Concrete (Pak Khawateen Painting Club: Expedition 1) / The River Snaked and Glistened Across the Landscape (Clare McCracken) / Time, Space and Light (Yvette Hamilton) / Moving Objects (Katie Lee, virtual reality) / The Degrowth Toolbox for Artistic Practices (Alexandra Papademetriou) / Faith in Speculations (FIS65) / Planet Hospice (Tina Stefanou) / Out of Office… (The Bureau for the Organisation of Origins) / Everywhere, eLsewhere, SomewherE (ELSE) (Helena Elias) / Registry of Itinerant Architectures (Ainslie Murray) / Mapping the Cartographic: Contemporary Approaches to Planetarization (Collective Rewilding).

If you are interested in submitting a proposal for our 2023 Global Exhibition Program, please read our “Proposal Guidelines” and “Evaluation Criteria” here. The deadline for proposal submissions for our 2023 program is September 1, 2022. For more information visit here.

Project Anywhere is proudly supported as part of a partnership between the Centre of Visual Art (University of Melbourne) and Parsons School of Art, Media and Technology (Parsons School of Design, The New School).

Thank you!

An email with a confirmation link has been sent to the email address you entered. To complete your subscription, click this link.