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Project Anywhere Global Exhibition Program
Project Anywhere
Above: View of Ismael Randall Weeks, Escuela de Pensamiento Triangular, 2017. Installation at HAWAPI 2017—El Triangulo Terrestre, 2017. © Ishmael Randall Weeks.
Above: View of Ismael Randall Weeks, Escuela de Pensamiento Triangular, 2017. Installation at HAWAPI 2017—El Triangulo Terrestre, 2017. © Ishmael Randall Weeks.

2021 proposal deadline: September 1, 2020

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Project Anywhere is a global blind peer reviewed exhibition model for art at the outermost limits of location-specificity. Although descriptions and images of hosted projects are featured on a dedicated website, Project Anywhere is neither an online exhibition nor a journal. It is instead a vehicle for illuminating artistic research and projects located outside traditional exhibition circuits. It is perhaps best imagined as an exhibition comprising the entire globe in which the role of curator is replaced with a blind peer evaluation model.

All proposals submitted to Project Anywhere are comprehensively reviewed by four artist academics of international standing and all applicants receive comprehensive feedback on their proposal submission.

Project Anywhere accepts proposals from artists and researchers working anywhere in the world and is designed to suit artists seeking independent peer-validation and global dissemination for artistic research.

Following an exhaustive blind peer review process, we are very proud to announce our 2020 Global Exhibition Program:

Water Spells (Adriana Salaza)
Explores relationships between humans, water and land within the context of Mexico City—one of the largest metropolises on the planet and in which hydric sustainability is uncertain.

Crossways. The Bridge as A Readymade (Anthony Mcinneny, Beatriz Maturana Cossio and Ricardo Brodsky Baudet)
Investigates the bridge as a metaphor for communication in the context of Santiago’s urban culture.

–out-of-line– / (Sonam Chaturvedi and Suvani Suri)
A virtual exhibition space built over cellphone networks using ‘the call’ as a site to showcase sound and text-based works.

A Guide to Remembering - The Colonial Amnesia Project (Tania Blackwell)
A new landscape memorial typology derived through social exchange and collective encounters

Zào-A History of Chinese Dishcourse Through Famine and Revolution (Siri Lee)
A speculative and polyphonic historical reconstruction of events surrounding the Great Leap Forward (1958-1961) and Cultural Revolution (1966-1976).

American Landscape(s) AR (Seol Park)
An independent augmented reality production that addresses themes of migration, Romanticism, Realism/reality, landscape painting traditions and digital technology.

Hawapi (Susie Quillinan and Maxim Holland)
An independent arts organization that takes artists to unexpected and challenging locations to develop and produce interventions in public space.

Invisibledrum Art Platform (Amalia Fonfara and Nazaré Soares)
A platform consisting of artists and researchers that focuses on animism in transdisciplinary fields of knowledge, encompassing practices within the arts, creative ecologies, technology, embodied cognition, healing practices, speculative design and psychology.

Islands of Time (Niccolò Masini)
Explores relationships between the formulation of the intangible feeling of belonging and the construction of geographical identity.

Museum for the Displaced (Ana Salazar, Mohammed Golabi, Samantha Leong and Canan Batur)
A cultural and social organization addressing issues of forced migration, displacement, and statelessness that unfolds over multiple geographies and contexts.

The Quintessence (Pamela Breda)
Utilizes moving images, photographs and installations to explore visual imaginaries and archives, stressing the links between pictures, their narrative potential and their contexts of production and reception.

The Ruderal Library (Hannah Hirsekorn)
An activated art object that seeks to represent an ecologically oriented perspectival shift in the domains of the “natural” and the “urban” from opposites to symbiotic partners.

Plastic Mahal (Ben Parry)
A temporary public sculpture and political performance in the mode of a processional ritual across various sites in Mumbai. The temple is built from the city’s waste, which aggregates in the informal recycling centre in Dharavi’s 13th Compound.

Call for proposals
If you are interested in submitting a proposal for our 2021 Global Exhibition Program, please read our “Proposal Guidelines” and “Evaluation Criteria” carefully before submitting a proposal.

Project Anywhere’s 2020 Global Exhibition Program will be launched at ART ANYWHERE?—a free one-day symposium event exploring art at the outermost limits of location-specificity on Friday March 20, 2020 at Buxton Contemporary, cnr Dodds St &, Southbank Blvd, Southbank VIC 3006, Australia. For more information, please visit projectanywhere.net.

Project Anywhere is proudly supported as part of a partnership between the Centre of Visual Art (University of Melbourne) and Parsons Fine Art (Parsons School of Design, The New School).

Please note that our deadline for proposal submissions for our 2021 program is September 1, 2020.

February 18, 2020

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Global