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Fall 2019 Graduate Lecture series
ArtCenter College of Design
September 10–December 3, 2019, 7:30pm

L.A. Times Media Center
Hillside Campus
1700 Lida Street
Pasadena, CA 91103
USA

www.artcentermfa.net
Facebook / Instagram
Above: Top row (left to right): Monica Majoli. Photo: Kathryn Vetter Miller. Nicolas Lobo. Courtesy Nicolas Lobo. Heji Shin, Kanye I, 2018. Courtesy Heji Shin. Bottom row (left to right): Hans Ulrich Obrist. Photo: Roe Ethridge. D’Ette Nogle. Courtesy D’Ette Nogle. ektor garcia. Courtesy ektor garcia.
Above: Top row (left to right): Monica Majoli. Photo: Kathryn Vetter Miller. Nicolas Lobo. Courtesy Nicolas Lobo. Heji Shin, Kanye I, 2018. Courtesy Heji Shin. Bottom row (left to right): Hans Ulrich Obrist. Photo: Roe Ethridge. D’Ette Nogle. Courtesy D’Ette Nogle. ektor garcia. Courtesy ektor garcia.
September 10–December 3, 2019, 7:30pm

L.A. Times Media Center
Hillside Campus
1700 Lida Street
Pasadena, CA 91103
USA

www.artcentermfa.net
Facebook / Instagram

The ArtCenter Graduate Art MFA program is pleased to announce its Fall 2019 Graduate Lecture series, organized by Bruce Hainley and Gabriel Madan

Unless otherwise indicated, lectures are free, open to the public and take place in the L.A. Times Auditorium on ArtCenter’s Hillside Campus, 1700 Lida Street, Pasadena 91103. Check our website to confirm dates, times and locations for the lecture series and for more information about the Graduate Art program.

Fall 2019 seminar schedule
September 10: D’Ette Nogle
September 17: Heji Shin
September 24: Nicole Miller
October 1: ektor garcia
October 8: Nicolas Lobo
October 15: Olivier Zahm
October 29: Jack Bankowsky presents Hans Ulrich Obrist
November 19: Two films by Margaret Honda (screening in Ahmanson Auditorium)
November 26: Monica Majoli
December 3: Margaret Honda

Support for these talks was generously provided by Jack Shear, Brenda R. Potter, Sprüth Magers, Blum & Poe, Alan Hergott, Hannah Hoffman, and David Kordansky.

With a core faculty of 10 internationally recognized artists and writers, 15 to 30 visiting and adjunct faculty per term and a total of 35 students, we have one of the lowest student-to-faculty ratios among comparable MFA programs. The result is an intense work environment where concentrated art-making is assured equally concentrated faculty attention, whether within specific disciplines or among them: in film, video, photography, painting, sculpture, installation, performance and everything in between.

Fundamental to our program are one-on-one studio visits with faculty and rigorous critical, academic and practical coursework. We extend our reach internationally, inviting artists, writers, historians and philosophers for weekly seminars and our biannual conference series. Coming from and going to Europe respectively, our artist-in-residence partnership and student exchange link us with programs in Paris, Berlin and Cologne. Our student and faculty exchanges link us with programs in key European art capitals.

Closer to home is Los Angeles, one of the world’s great art capitals. Closer still is the renowned design school to which we are connected, with leading-edge software and hardware technology and the equipment that goes with it. On site, we provide students with individual studios, a fabrication shop, several gallery spaces, and dedicated computing and moving-image production labs. We make our public gallery spaces and project rooms available to all our students, from their first term through graduation, when they mount their final solo show.

September 6, 2019

location

L.A. Times Media Center, Pasadena