Open call: “Art & Migration. Re-Making the World: Human Mobility, Border Violence, and Security Markets”

Open call: “Art & Migration. Re-Making the World: Human Mobility, Border Violence, and Security Markets”

PARSE Journal at the University of Gothenburg

Tintin Wulia, Fallen (still), 2011. Single-channel video. Courtesy of the artist.

July 13, 2018
Open call: “Art & Migration. Re-Making the World: Human Mobility, Border Violence, and Security Markets”
PARSE Journal at the University of Gothenburg
Faculty of Fine, Applied & Performing Arts
Storgatan 43
SE-41138 Gothenburg
Sweden
Hours: Monday–Friday 8am–4pm

parse@konst.gu.se
parsejournal.com
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Dialogue on Art & Migration I: October 19, 3–6:30pm
Speakers: Dagmawi Yimer, Elyas Alavi, Nuraini Juliastuti, and Shahram Khosravi 

Dialogue on Art & Migration II: January 24, 3–6:30pm
Speakers to be confirmed closer to the date. 

This PARSE research trajectory calls for contributions that inquire into the embodied, affective, performative, material, visual, and spatial politics of cross-border human mobilities, through arts/crafts/design as well as other disciplines and practices. It concerns all the actors involved in these mobilities: the remarkable proliferation over recent years of heterogeneous human migration formations, including labour migrants and people seeking asylum, the border enforcement infrastructures that arise in response to these mobilities, as well as how these infrastructures incorporate market-based/migration industry actors. 

We are interested in works that seek to apprehend or interrogate these complex alliances, antagonisms, and complicities, analysing or interpreting conditions where (nation-)states’ official infrastructures for border control coexist with migration industry infrastructures for border-crossing and market-based enterprises for border enforcement. These include border control through proliferating physical barricades, militarised policing, multilateral border cooperation, detention camps, deportation dragnets, and new strategies of surveillance; both formal and informal migration industry infrastructures (e.g. the outsourcing of migration visa processing, labour migrant recruitment agencies, remittance services, the rise of transit spaces along migration corridors, forged passport markets, migrant smuggling, amongst others); and private security contractors for offshore detention centres.

Among many other conceivable avenues of inquiry, we invite contributions engaged with such questions as:

How are lived experiences of these complex entanglements understood by differently positioned people as expressed in arts/design, activism, migration studies and other disciplines? 

How do people counteract, subvert, circumvent, resist, take charge of the everyday practices of these entangled bordering infrastructures?

How can artists, academics, activist networks, and other civil society groups work together to challenge new forms of bordering in ways that are socially and intellectually relevant? 

The deadline for submission of art works and/or full papers and essays in any medium is October 7. 

Editors
Erling Björgvinsson, Professor of Design, HDK/Academy of Design and Crafts, University of Gothenburg.

Nicholas De Genova, Scholar of migration, borders, citizenship, race and labour, Chicago, due to commence an appointment as Professor and Chair of the Department of Comparative Cultural Studies at the University of Houston in the Fall of 2018.

Mahmoud Keshavarz, Design scholar and post-doctoral fellow at the Engaging Vulnerability Research Program, Uppsala University.  

Tintin Wulia, Artist and post-doctoral fellow at HDK/Academy of Design and Crafts and School of Global Studies, University of Gothenburg.

The full call for contributions can be found here.

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PARSE Journal at the University of Gothenburg
July 13, 2018

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