The Voyage, or Three Years at Sea Part II: Bas Jan Ader, Matthew Benedict, Karl Haendel, Nina Katchadourian, Slave Pianos
Libby Leshgold Gallery at Emily Carr University of Art + Design
Above: Bas Jan Ader
Above: Bas Jan Ader

September 7–October 23, 2011


Opening:Tuesday, September 6 at 7:30pm


Charles H. Scott GalleryEmily Carr University1399 Johnston Street
Vancouver, BC
T 604.844.3809


The Charles H. Scott Gallery is pleased to present The Voyage, or Three Years at Sea Part II featuring the work of Bas Jan Ader, Matthew Benedict, Karl Haendel, Nina Katchadourian, and Slave Pianos. The second in a multi-part series about the sea, the exhibition looks at ill-fated voyages from Shackleton’s Antarctic expedition to Bas Jan Ader’s attempt to sail across the Atlantic. Accompanying the works of contemporary art are objects and archival materials on loan from the Maritime Museum and private collections.


Dutch artist Bas Jan Ader disappeared in 1975, while attempting a solo transatlantic crossing. His voyage was part of a project entitled In Search of the Miraculous, a component of which is in the exhibition. Ader would have known of Donald Crowhurst, an English yachtsman who in 1968 also went missing on a solo voyage (a copy of a book about Crowhurst was found in Ader’s possessions). The story of both men is conflated in a work by the Australian collective Slave Pianos (Danius Kesminus, Michael Stevenson, Neil Kelly, Rohan Drape). The Strange Voyage of Bas Jan Ader is a radio play, musical score and collection of documents that are drawn from an interview with Ader’s widow and the ramblings of Crowhurst.


Two artists in the exhibition take Ernest Shackleton’s doomed expedition to the Antarctic as their subject. Los Angeles-based Karl Haendel has produced an installation of hyper-realistic drawings taken from photographs of the expedition while New York artist Nina Katchadourian’s Endurance is a video projection in which original film footage of Shackleton’s ship breaking up in the ice is projected on her tooth. A historic event of great notoriety is also the subject of New York-based Matthew Benedict Titanic Breakfast Sampler.


In dialogue with the works of contemporary art will be a selection of historical materials documenting ill-fated voyages from coastal British Columbia. Of particular note is a poignant artefact from the 1875 wreck of the Pacific on loan from the Vancouver Maritime Museum. The Maritime Museum will be collaborating with the Charles H. Scott Gallery on a series of public events in conjunction with the exhibition.


Karl Haendel will be in attendance at the opening and will be giving a talk on his work in the gallery at 3:30pm on Wednesday September 7th.


The exhibition is curated by Cate Rimmer.


For more information please contact the gallery at 604 844 3809.
Gallery hours are 12–5 weekdays and 10–5 weekends. Admission is free.


September 9, 2011