Papers

John D’Agostino is an artist, photographer and educator based in New York. His work has been featured in exhibitions at the Griffin Museum of Photography and The Silver Eye Center for Photography, and in publications such as Silvershotz: The International Journal of Fine Art Photography, and on the cover of GLASS Quarterly. John's monograph with the Griffin Museum, Empire of Glass, was recently acquired by The Harry Ransom Center at The University of Texas at Austin, The Museum of Photographic Arts and The Southeast Museum of Photography. His work is also in the permanent collections of The Museum of Fine Arts, Houston, and The Haggerty Museum of Art.

  1. APPIGNANESI, Richard. Postmodernism (Icon Books, 1995).
  2. BAAL-TESHUVA, Jacob. Rothko: Pictures as Drama (Taschen, 2009).
  3. BERLIN, Isaiah. The Roots of Romanticism (Princeton University Press, 2001).
  4. BLUNT, Anthony. The Art of William Blake (Oxford University Press, 1959).
  5. CADWALADER, Stephen M. Tiffany's Furnace (Empire of Glass Monograph, Griffin Museum of Photography, 2009).
  6. CLARKE, Maureen. The Tiffany Legacy (Glass Art, November 1991).
  7. CLOTTES, Jean. The Shamans of Prehistory (Abrams, 1998).
  8. DUNCAN, Alastair. Masterworks of Louis Comfort Tiffany (Abrams, 1998).
  9. DUNCAN, Alastair. Tiffany Lamps and Metalware (Antique Collector's Club, 2007)
    10. .
  10. DUNCAN, Alastair. Louis C. Tiffany: The Garden Museum Collection (Antique Collectors Club, 2004).
  11. EHRENZWEIG, Anton. The Psycho-Analysis of Artistic Vision and Hearing: An Introduction to a Theory of Unconscious Perception (Sheldon Press, 1975).
  12. EHRENZWEIG, Anton. The Hidden Order of Art: A Study on the Psychology of Artistic Imagination (Weidenfeld & Nicolson, 2000).
  13. HYDE, Lewis. The Gift (Vintage Books, 2007).
  14. JAMES, William. The Varieties of Religious Experience (Touchstone, 1997).
  15. JOHNSON, Marilyn A. Louis Comfort Tiffany: Artist for the Ages (Scala, 2006).
  16. GOLDING, John. Paths to the Absolute (Thames & Hudson, 2002).
  17. HUGHES, Robert. American Visions: The Epic History of Art in America (Knopf, 1997).
  18. HUGHES, Robert. The Shock of the New (Thames & Hudson, 1991).
  19. HUGHES, Robert. The New Shock of the New (BBC Four, 2004).
  20. KANT, Immanuel. Observations on the Feeling of the Beautiful and Sublime (University of California, 2004).
  21. KOCH, Robert. Louis C. Tiffany: Rebel in Glass (Crown Publishers, 1964).
  22. KOCH, Robert. Louis C. Tiffany: The Collected Works of Robert Koch (Schiffer, 2001).
  23. KUSPIT, Donald. The End of Art (Cambridge University Press, 2004).
  24. LINDSAY, Kenneth C. Kandinsky: Complete Writings on Art (Da Capo Press, 1994).
  25. LONGINUS. On the Sublime (Bibliobazaar, 2008).
  26. MARCH, Juan. The Abstraction of Landscape: From Northern Romanticism to Abstract Expressionism (Fundacion Juan March, Madrid, 2007).
  27. MITCHELL, W.J.T.. What Do Pictures Want? The Lives and Loves of Images (The University of Chicago Press, 2005).
  28. NEWMAN, Barnett. The Sublime is Now (The Tiger's Eye, No. 1, 1948).
  29. PECKHAM, Morse. Man's Rage for Chaos: Biology, Behavior and the Arts (Schocken Books, 1967).
  30. POLCARI, Stephen. Abstract Expressionism and the Modern Experience (Cambridge University Press, 1993).
  31. POUND, Ezra. Ezra Pound and the Visual Arts (New Directions Publishing 1980).
  32. REXER, Lyle. The Edge of Vision: The Rise of Abstraction in Photography (Aperture, 2009).
  33. ROSENTHAL, Mark. Abstraction in the 20th Century: Total Risk, Freedom, Discipline (Guggenheim Museum, 1996).
  34. ROSENBLUM, Robert. The Abstract Sublime (ARTnews, February 1961).
  35. ROSENBLUM, Robert. Modern Painting & the Northern Romantic Tradition: Friedrich to Rothko (Thames & Hudson, 1978).
  36. ROTHKO, Mark. The Romantics Were Prompted (Possibilities, Vol. 1, 1947).
  37. ROTHKO, Mark. The Artist's Reality: Philosophies of Art (Yale University Press, 2006).
  38. SAVEDOFF, Barbara E. Transforming Images: How Photography Complicates the Picture (Cornell University, 2000).
  39. SCHAMA, Simon. Power of Art (Viking Press, 2006).
  40. SHAW, Bernhard. Back to Methusaleh: A Metabiological Pentateuch (Penguin, 1961).
  41. SPIVEY, Nigel. How Art Made the World (Basic Books, 2006).
  42. STEVENS, Wallace. The Necessary Angel, Essays on Reality and the Imagination (Vintage Books, 1951).
  43. STOKER, Wessel. The Rothko Chapel Paintings and the Urgency of the Transcendent Experience (International Journal for Philosophy of Religion, Vol. 64, 2008).
  44. TERENZIO, Stephanie. The Collected Writings of Robert Motherwell (University of California, 1999).
  45. TUCHMAN, Maurice. The Spiritual in Art: Abstract Painting 1890-1985 (Abbeville Press, 1999).
  46. VALERY, Paul. The Art of Poetry (Vintage Books, 1961).
  47. WELLS, H.G. The Country of the Blind and Other Stories (Thomas Nelson and Sons, 1999).
  48. WILLIAMS, Linda L. Nietzsche's Mirror (Rowman & Littlefield, 2000).
  49. WILSON, Colin. The Outsider (G.P. Putnam & Sons, 1982).
  50. WILSON, Colin. The Strength to Dream (Abacus, 1976).
  51. WILSON, Colin. Poetry and Mysticism (City Lights Books, 1970).
  52. WILTON, Andrew. Turner and the Sublime (University of Chicago Press, 1981).
  53. WORRINGER, Wilhelm. Abstraction and Empathy (International Universities Press, 1979).
FIT
MAHKU
Academy of Media Arts Cologne
HFBK
SCAD
Royal Institute of Art Stockholm